Good-Bye 2012
Good-Bye (2012) is a haunting entry in the Senritsu Kaiki File Kowasugi! series, weaving a brief but intense horror experience under director Koji Shiraishi's vision.
Director: Koji Shiraishi
Cast
Frequently Asked Questions
What is Good-Bye (2012) about?
Good-Bye is a short horror film set in the aftermath of FILE-03, where characters grapple with the emotional fallout of a goodbye that refuses to end. The story unfolds with mounting tension, blurring the line between reality and lingering dread. It's a visceral exploration of closure—or the lack thereof.
Who directed Good-Bye?
Good-Bye was directed by Koji Shiraishi, known for his work in Japan's horror genre and contributions to the Senritsu Kaiki File Kowasugi! series.
Who stars in Good-Bye?
The film features Rock Murakami and Haruka Kawamura in its lead roles, bringing depth to the short's emotionally charged narrative.
Is Good-Bye (2012) worth watching?
While Good-Bye is unrated on IMDb, its horror themes and Shiraishi's direction make it a compelling watch for fans of psychological terror. The six-minute runtime is perfect for viewers seeking a quick but impactful scare, though its abruptness may not suit everyone's taste.
How long is Good-Bye?
Good-Bye has a runtime of 6 minutes.
About Good-Bye (2012) — A Chilling Spin-Off from the Senritsu Kaiki File Series
Good-Bye (2012) is a haunting entry in the Senritsu Kaiki File Kowasugi! series, weaving a brief but intense horror experience under director Koji Shiraishi's vision. This six-minute short film unfolds in the eerie aftermath of FILE-03, plunging viewers into a world where lingering dread takes on a life of its own. The story's atmosphere is thick with suspense, exploring themes of unresolved endings and the inescapable weight of goodbyes. With its tight runtime and unsettling tone, Good-Bye offers a microcosm of psychological horror, where every shadow feels alive.
Starring Rock Murakami and Haruka Kawamura, the film leans into the raw emotional tension of its characters' final moments. Shiraishi's direction crafts a sense of immediacy, making the short feel like a whispered secret rather than a polished narrative. Horror enthusiasts will appreciate its brevity as a concentrated dose of unease, while casual viewers might find its abruptness both jarring and compelling. In just six minutes, Good-Bye leaves a lingering impression, proving that sometimes, less is indeed more.