The Daughter of Mehemed 1919
In the evocative silent-era drama *The Daughter of Mehemed* (1919), directed by Alfred Halm, a tangled web of love and moral conflict unfolds against a backdrop of early 20th-century intrigue. The story follows Leila, a young enslaved girl purchased as a gift for Dr.
Director: Alfred Halm
Cast
Frequently Asked Questions
What is The Daughter of Mehemed (1919) about?
This silent-era drama tells the story of Leila, an enslaved girl whose life takes a dramatic turn when she's bought as a gift for Dr. Jan van Zuylen. Years later, their paths cross again, and a deep, forbidden love develops despite her marriage to his friend.
Who directed The Daughter of Mehemed?
Alfred Halm directed this 1919 silent drama, known for his atmospheric storytelling and emotional depth in early German cinema.
Who stars in The Daughter of Mehemed?
The film features a powerhouse cast including Ellen Richter as Leila, Emil Jannings as Dr. Jan van Zuylen, and Harry Liedtke as Vaco Juan Riberda.
Is The Daughter of Mehemed (1919) worth watching?
As a silent-era romance with strong performances and a morally complex narrative, *The Daughter of Mehemed* offers a unique glimpse into early 20th-century cinema. While not widely rated today, its themes of love and liberation make it intriguing for silent film enthusiasts.
How long is The Daughter of Mehemed?
The Daughter of Mehemed runs for 66 minutes, a typical runtime for silent films of its era.
About The Daughter of Meheld (1919) — Forbidden Romance in a Silent-Era Drama
In the evocative silent-era drama *The Daughter of Mehemed* (1919), directed by Alfred Halm, a tangled web of love and moral conflict unfolds against a backdrop of early 20th-century intrigue. The story follows Leila, a young enslaved girl purchased as a gift for Dr. Jan van Zuylen, whose refusal to accept her as a present sets the stage for an unexpected reunion years later. When van Zuylen crosses paths with Leila again, now married to his former friend Vaco Juan Riberda, a forbidden attraction blossoms between him and the woman he once sought to free. Halm crafts a haunting exploration of duty, desire, and the blurred lines between liberation and possession, wrapped in a mood of melancholic romance.
Ellen Richter and Emil Jannings deliver standout performances as Leila and van Zuylen, their chemistry charged with tension and longing. With its atmospheric visuals and emotional depth, *The Daughter of Mehemed* remains a compelling artifact of Weimar-era cinema, offering a poignant meditation on human connections forged in the shadow of societal norms.