La felicidad (Un día de campo) Poster

La felicidad (Un día de campo) 2002

70 min📅 2002-06-01

Directed by Raúl Perrone, *La felicidad (Un día de campo) (2002)* is a slice-of-life comedy that follows Julia, a small-town hairdresser and owner of a remisería, as she embarks on a Sunday picnic with her family.

Director: Raúl Perrone

Cast

Tom Lupo
Stuka
Julia Roda
Esteban Prego
Gabriela Canavés
Gabriela Quevedo
Francisco Wiaderkowicz

Frequently Asked Questions

What is La felicidad (Un día de campo) (2002) about?

The film centers on Julia, a hairdresser and remisería owner, who spends a Sunday at the park with her family. What begins as a routine outing exposes the quiet frustrations and disconnected moments that define their lives, from her husband's complaints to her daughter's disinterest.

Who directed La felicidad (Un día de campo)?

Raúl Perrone directed *La felicidad (Un día de campo)*, crafting a subtle yet keenly observed portrait of family dynamics.

Who stars in La felicidad (Un día de campo)?

The film stars Tom Lupo, Stuka, Julia Roda, Esteban Prego, and Gabriela Canavés in key roles.

Is La felicidad (Un día de campo) (2002) worth watching?

While not a high-energy comedy, *La felicidad (Un día de campo)* offers a refreshing, understated take on family life that resonates with authenticity. Its short runtime and relatable themes make it a worthwhile watch for fans of character-driven comedies.

How long is La felicidad (Un día de campo)?

The film runs for 70 minutes.

About La felicidad (Un día de campo) (2002) — Raúl Perrone's quiet comedy about family and unspoken frustrations

Directed by Raúl Perrone, *La felicidad (Un día de campo) (2002)* is a slice-of-life comedy that follows Julia, a small-town hairdresser and owner of a remisería, as she embarks on a Sunday picnic with her family. What starts as a seemingly ordinary outing quickly reveals the quiet frustrations and unspoken tensions simmering beneath their daily routine. Her husband's grumbling, her teenage daughter's obsession with dance magazines, and the absence of her son paint a picture of a family going through the motions without much excitement or connection.

Set against the backdrop of a lazy afternoon, the film captures the contrast between the promise of happiness and the monotony of life's small disappointments. Perrone's sharp eye for character dynamics and the subtle humor of everyday struggles makes this 70-minute gem a relatable and quietly poignant exploration of family life in Argentina.