We've Got the Red Blues 1991
Yann Beauvais' *We've Got the Red Blues (1991)* captures a haunting autumnal journey through Riga and Moscow, blending raw reality with cinematic nostalgia.
Director: Yann Beauvais
Frequently Asked Questions
What is We've Got the Red Blues (1991) about?
This short film by Yann Beauvais follows a journey through Riga and Moscow during the autumn of 1990, where the stark reality of these cities clashes with the filmmaker's nostalgic cinematic memories. It's a poetic exploration of how urban spaces change and what we preserve in our minds versus what we see.
Who directed We've Got the Red Blues?
Yann Beauvais directed *We've Got the Red Blues*. Known for his experimental approach, Beauvais blends documentary-style footage with personal reflections to create a unique visual essay.
Who stars in We've Got the Red Blues?
Cast details for *We've Got the Red Blues* are not publicly listed, as the film focuses more on atmosphere and imagery than a traditional narrative cast.
Is We've Got the Red Blues (1991) worth watching?
At just 15 minutes long, *We've Got the Red Blues* is a niche but rewarding watch for fans of avant-garde and documentary-style cinema. Its experimental nature and thematic depth make it a standout, even if it's not for mainstream audiences.
How long is We've Got the Red Blues?
The runtime of *We've Got the Red Blues* is 15 minutes.
About We've Got the Red Blues (1991) — A 15-Minute Cinematic Time Capsule of Fall 1990
Yann Beauvais' *We've Got the Red Blues (1991)* captures a haunting autumnal journey through Riga and Moscow, blending raw reality with cinematic nostalgia. Shot in the fall of 1990, this 15-minute experimental film contrasts the gritty, rapidly changing landscapes of post-Soviet cities with the filmmaker's personal cinematic recollections. The result is a visually poetic meditation on memory, decay, and the fleeting nature of time, where every frame feels like both a document and a dream. The film's stark imagery and introspective tone invite viewers to question how places—and the stories we tell about them—evolve when history accelerates beyond our control.
A work that thrives on ambiguity, *We've Got the Red Blues* avoids straightforward storytelling, opting instead for a collage of impressions that linger long after the credits roll. Beauvais crafts a mood that's equal parts melancholic and meditative, using urban decay and fleeting light as metaphors for a world in transition. Though experimental in nature, the film's emotional resonance lingers, making it a compelling watch for fans of avant-garde cinema and those drawn to films that blur the line between documentary and personal myth.