Mr. and Mrs. Farhid 2001
In *Mr. and Mrs. Farhid* (2001), Iranian filmmaker Nooshin Farhid crafts a hauntingly intimate short film about isolation and unspoken tension. A quiet couple sits side by side on a bare sofa, their silence heavier than the room itself.
Director: Nooshin Farhid
Frequently Asked Questions
What is Mr. and Mrs. Farhid (2001) about?
The film follows a married couple sitting in silence as a radio broadcasts weather reports that feel like omens. Their empty room and avoidant gazes create an atmosphere of unresolved tension, mirroring the war unfolding in the distance.
Who directed Mr. and Mrs. Farhid?
The film was directed by Nooshin Farhid, who frames the story with stark minimalism and a focus on sound as a narrative device.
Who stars in Mr. and Mrs. Farhid?
Cast details for this short film are not publicly available.
Is Mr. and Mrs. Farhid (2001) worth watching?
Though unrated on IMDb and technically a short film, it offers a compelling, atmospheric experience for fans of character-driven dramas. Its themes of isolation and impending doom make it a thought-provoking watch in under 10 minutes.
How long is Mr. and Mrs. Farhid?
The film runs for 10 minutes.
About Mr. and Mrs. Farhid (2001) — A 10-minute family drama of quiet dread and unspoken war
In *Mr. and Mrs. Farhid* (2001), Iranian filmmaker Nooshin Farhid crafts a hauntingly intimate short film about isolation and unspoken tension. A quiet couple sits side by side on a bare sofa, their silence heavier than the room itself. Between them, a radio drones on with endless weather forecasts—each prediction an omen, each word a distraction from the distant sounds of war and unrest creeping closer. The film's stark atmosphere lingers long after, turning a simple domestic scene into a meditation on waiting, absence, and the fractures in human connection. Farhid's direction is minimalist yet powerful, using sound and stillness to evoke the weight of what's left unsaid.
Shot in just 10 minutes, *Mr. and Mrs. Farhid* delivers a striking commentary on how external chaos seeps into private lives, leaving its mark in the unspoken dread between two people. The film's tension lies not in action but in the quiet, in the way the couple's gaze avoids the other, as if the world outside—with its forecasts of doom and distant gunfire—has already seeped into their home.