
White Lies 1998
"Meet the New Face of the Movement"
In *White Lies (1998)*, a first-year university student named Catherine spirals into the dark underbelly of online radicalization after encountering the charismatic leaders of a neo-Nazi organization.
Director: Kari Skogland
Cast






Frequently Asked Questions
What is White Lies (1998) about?
The film follows Catherine, a first-year university student who feels disconnected from her liberal campus. After stumbling upon an online neo-Nazi group called NIM, she becomes their most vocal advocate—only to slowly question the hateful ideology she once embraced so passionately.
Who directed White Lies?
Canadian filmmaker Kari Skogland directed *White Lies (1998)*, bringing a raw, unsettling realism to the story of radicalization.
Who stars in White Lies?
The film features a talented cast led by Sarah Polley, Tanya Allen, Jonathan Scarfe, Lynn Redgrave, and Albert Schultz.
Is White Lies (1998) worth watching?
As a TV movie drama, *White Lies (1998)* delivers a gripping exploration of extremism and identity. While unrated on IMDb, its themes and performances make it a compelling watch for fans of thought-provoking cinema.
How long is White Lies?
The runtime for *White Lies (1998)* is 92 minutes.
About White Lies (1998) — A Chilling Look at Ideological Manipulation
In *White Lies (1998)*, a first-year university student named Catherine spirals into the dark underbelly of online radicalization after encountering the charismatic leaders of a neo-Nazi organization. Directed by Kari Skogland, the film explores how alienation and ideological manipulation can twist even the most liberal minds, as Catherine transforms from a disillusioned student into the public voice of hate—all while grappling with the unsettling reality of her new beliefs. Shot through with tension and moral ambiguity, the movie captures the seductive pull of extremism and the fragile line between rebellion and self-destruction. With a standout cast led by Sarah Polley, this drama keeps viewers on edge, questioning the fragility of conviction in an age of digital propaganda.
As Catherine's involvement deepens, the line between devotion and doubt blurs, revealing the psychological toll of extremism. The film's unflinching portrayal of ideological indoctrination makes *White Lies (1998)* more than just a cautionary tale—it's a sharp, unsettling reflection on identity, belonging, and the dangers of echo chambers.