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Seeing for Ourselves: Women Working in Film 1983

56 min📅 1983-01-01

Dive into the raw, unfiltered world of 1980s independent cinema with *Seeing for Ourselves: Women Working in Film* (1983), a compelling documentary directed by Margaret Williams.

Director: Margaret Williams

Frequently Asked Questions

What is *Seeing for Ourselves: Women Working in Film* (1983) about?

This documentary follows four independent women filmmakers as they navigate the challenges of creating and distributing their work in the male-dominated film industry. It explores their personal journeys and ties their struggles to the larger women's movement of the time.

Who directed *Seeing for Ourselves: Women Working in Film*?

The film was directed by Margaret Williams, a filmmaker known for her contributions to independent and feminist cinema.

Who stars in *Seeing for Ourselves: Women Working in Film*?

The documentary features Joanna Davis, Tina Keane, Annabel Nicolson, Lis Rhodes, and Felicity Sparrow, all key figures in the women's film movement.

Is *Seeing for Ourselves: Women Working in Film* (1983) worth watching?

While it's an unrated documentary, its cultural significance and the stories of its subjects make it a compelling watch for fans of feminist history and indie film. The 56-minute runtime keeps it engaging without feeling overwhelming.

How long is *Seeing for Ourselves: Women Working in Film*?

The documentary runs for 56 minutes.

About Seeing for Ourselves: Women Working in Film (1983) — The Pioneering Documentary You Need to Know

Dive into the raw, unfiltered world of 1980s independent cinema with *Seeing for Ourselves: Women Working in Film* (1983), a compelling documentary directed by Margaret Williams. This 56-minute film shines a spotlight on four trailblazing women filmmakers—Joanna Davis, Tina Keane, Annabel Nicolson, and Lis Rhodes—who are captured in the midst of their creative processes. Their stories unfold alongside Felicity Sparrow, a key figure in Circles, the groundbreaking women's distribution collective they helped establish. The film captures the grit and determination of these artists as they challenge the male-dominated film industry, weaving their personal struggles into the broader tapestry of the women's movement.

Set against the backdrop of the 1980s, this documentary pulses with energy and urgency, reflecting the era's radical spirit. Williams' lens offers an intimate look at the challenges these women faced, from funding to recognition, while celebrating their defiance and innovation. The result is a time capsule of feminist filmmaking that's as thought-provoking as it is visually engaging. *Seeing for Ourselves: Women Working in Film* (1983) isn't just a film about cinema—it's a testament to the power of persistence and the fight for equality behind the camera.