I Don't Hate Las Vegas Anymore 1994
"A film directed by God."
Caveh Zahedi's offbeat 1994 documentary comedy I Don't Hate Las Vegas Anymore follows the filmmaker, his real father George, and his 16-year-old half-brother on a quixotic road trip to the neon desert, camera crew in tow.
Director: Caveh Zahedi
Cast
Frequently Asked Questions
What is I Don't Hate Las Vegas Anymore (1994) about?
Filmmaker Caveh Zahedi sets off on a road trip to Las Vegas with his father and teenage half-brother, convinced the neon-lit city holds proof of God's existence. What unfolds is a candid, often hilarious journey where family dynamics collide with existential questions and the absurdity of modern spirituality.
Who directed I Don't Hate Las Vegas Anymore?
I Don't Hate Las Vegas Anymore was directed by Caveh Zahedi, who also appears on screen as the lead traveler and narrator.
Who stars in I Don't Hate Las Vegas Anymore?
The film features Caveh Zahedi alongside his real-life father George Zahedi, his half-brother Amin Zahedi, and crew members Steve Ausbury and D. Montgomery.
Is I Don't Hate Las Vegas Anymore (1994) worth watching?
If you enjoy offbeat documentaries that blend comedy with introspection, I Don't Hate Las Vegas Anymore delivers. Its 74-minute runtime keeps the experiment tight, and the unscripted family dynamic offers a refreshingly unfiltered slice of life behind the quest for meaning.
How long is I Don't Hate Las Vegas Anymore?
I Don't Hate Las Vegas Anymore runs 74 minutes.
🎥 Trailer
About I Don't Hate Las Vegas Anymore (1994) — A Dad, His Half-Brother, and a Camera Crew in Search of the Divine
Caveh Zahedi's offbeat 1994 documentary comedy I Don't Hate Las Vegas Anymore follows the filmmaker, his real father George, and his 16-year-old half-brother on a quixotic road trip to the neon desert, camera crew in tow. What begins as a playful father-son adventure soon spirals into a search for divine proof behind the Strip's glittering façade. Shot in vérité style with deadpan humor, the film blurs the line between quest and parody, wrapping personal chaos into a meditation on faith, family, and the absurdity of modern pilgrimage.
Tagging along with a trio of eager crew members, Zahedi turns his cross-country journey into a raucous existential experiment. The result is a 74-minute rollercoaster of candid conversations, surreal detours, and unexpected revelations—all captured with a mix of wry skepticism and genuine curiosity. It's less a travelogue than a spiritual slapstick, where every slot machine and desert sunset becomes a potential signpost on the road to revelation.