A 169-ik óra 1994
A 169-ik óra (1994) offers a compelling documentary glimpse into Hungary's media landscape during a pivotal era.
Director: Márta Elbert
Frequently Asked Questions
What is A 169-ik óra (1994) about?
This documentary examines Hungary's intense media conflicts during the early 1990s, focusing on the competitive struggles between different outlets and how these battles influenced public discourse during a time of significant political and social change.
Who directed A 169-ik óra?
The film was directed by Márta Elbert, a filmmaker associated with the Hungarian production company Fekete Doboz (Black Box).
Who stars in A 169-ik óra?
Cast information for this documentary is currently unavailable, as the film primarily features real media figures and archival footage rather than traditional actors.
Is A 169-ik óra (1994) worth watching?
With its focus on Hungarian media history and cultural transition, this documentary offers valuable insights for viewers interested in Eastern European media studies. Though lacking an official rating, its historical significance makes it worthwhile for documentary enthusiasts.
How long is A 169-ik óra?
The documentary runs for 51 minutes.
About A 169-ik óra (1994) — Media War Documentary from Hungary
A 169-ik óra (1994) offers a compelling documentary glimpse into Hungary's media landscape during a pivotal era. Directed by Márta Elbert, this 51-minute film explores the intense "media war" that gripped the country, capturing the fierce competition and ideological battles between different media outlets. The documentary provides valuable insight into how information warfare shaped public opinion in post-communist Hungary, presenting a raw and unfiltered look at the changing media dynamics.
Through intimate footage and firsthand accounts, the film reveals the atmosphere of tension and transformation that characterized Hungary's media scene in the early 1990s. While specific cast details remain unknown, the documentary's power lies in its authentic presentation of real events and personalities who shaped the industry. The short runtime makes it an accessible yet impactful viewing experience for those interested in media history and Eastern European cultural transitions.
This Fekete Doboz production serves as both historical document and critical examination of media influence. For viewers curious about Hungary's media evolution or documentary filmmaking from this period, A 169-ik óra (1994) provides essential viewing. The film can be streamed or downloaded on multiple devices, offering convenient access to this important piece of Hungarian media history.