Identity as identification Poster

Identity as identification 1976

3 min📅 1976-01-01

Identity as identification (1976) is a brief but thought-provoking experimental short that plays with the tension between imagination and reality.

Director: Luigi Viola

Frequently Asked Questions

What is Identity as identification (1976) about?

This experimental short follows an evocative image that sparks an imaginary journey, making reality feel distant and dreamlike. The magical moment is abruptly disrupted when bureaucratic language intrudes, creating a striking contrast between personal imagination and institutional communication.

Who directed Identity as identification?

The film was directed by Luigi Viola, whose work demonstrates a keen interest in experimental narrative techniques and the relationship between visual imagery and language.

Who stars in Identity as identification?

Cast information for Identity as identification is currently unavailable. The film focuses primarily on its visual and conceptual elements rather than traditional performances.

Is Identity as identification (1976) worth watching?

Despite being unrated, this experimental piece offers unique artistic value for viewers interested in avant-garde cinema and philosophical themes about identity and perception. Its brief runtime makes it an accessible exploration of surreal storytelling techniques.

How long is Identity as identification?

The film runs for approximately 3 minutes, making it a very short experimental piece that delivers its conceptual message quickly and efficiently.

Identity as identification (1976) — Surreal Short Explores Identity

Identity as identification (1976) is a brief but thought-provoking experimental short that plays with the tension between imagination and reality. Directed by Luigi Viola, this three-minute film creates a dreamlike atmosphere where a single image evokes the wonder of an imagined journey, transforming the familiar world into something distant and surreal. The experience feels magical and transportive, drawing viewers into a space where conventional reality fades away.

Just as this ethereal moment reaches its peak, the spell is shattered by the intrusion of bureaucratic language—dry, conventional words that abruptly ground the viewer back in the mundane. This striking juxtaposition speaks to themes of identity formation, the power of visual storytelling, and how administrative systems can interrupt our most personal moments of wonder. The film's concise runtime belies its philosophical depth, making it a fascinating study in contrast and a unique entry in experimental cinema. For fans of avant-garde film, Identity as identification offers a memorable meditation on how we construct meaning through images versus institutional language.