The Astrologer 1975
""Two forces were trying to father the child... Ultimate good, undeniable evil. It is 10 days before the second coming, but whose child will it be?""
In *The Astrologer* (1975), director James Glickenhaus crafts a hypnotic late-era grindhouse horror that pits the forces of divine destiny against the creeping shadows of the occult.
Director: James Glickenhaus
Cast
Frequently Asked Questions
What is The Astrologer (1975) about?
*The Astrologer* follows a curious scientist who uncovers ominous signals pointing toward Christ's return, only to confront a cult hell-bent on hijacking the event for their own apocalyptic ends. The film becomes a race against time as the line between divine intervention and demonic possession dissolves in the final days before the prophesied rebirth.
Who directed The Astrologer?
The film was directed by James Glickenhaus, a filmmaker known for blending exploitation thrills with cult atmosphere and offbeat storytelling.
Who stars in The Astrologer?
The cast includes Bob Byrd, Monica Tidwell, Mark Buntzman, Alison McCarthy, and Al Narcisse, with the director himself appearing in a key role.
Is The Astrologer (1975) worth watching?
Though unrated on IMDb, *The Astrologer* stands as a fascinating artifact of 1970s horror, offering a unique mashup of religious prophecy and occult dread. Fans of slow-burn supernatural thrillers will find its eerie tone and tightly coiled tension well worth the 96 minutes.
How long is The Astrologer?
The runtime of *The Astrologer* is 96 minutes.
About The Astrologer (1975) — When the Second Coming meets a cult of doom
In *The Astrologer* (1975), director James Glickenhaus crafts a hypnotic late-era grindhouse horror that pits the forces of divine destiny against the creeping shadows of the occult. When a determined scientist begins probing reports of the Second Coming, he stumbles into a lethal showdown with a fanatical suicide cult dedicated to steering humanity's rebirth toward apocalyptic ruin. The film crackles with eerie atmosphere, blending cosmic dread with the gritty textures of 1970s genre filmmaking, and transforms a singular premise into a claustrophobic battle of wills.
As the clock ticks down the final ten days before the prophesied rebirth, the line between salvation and damnation blurs. Glickenhaus orchestrates a paranoid thriller where paranoia itself becomes the antagonist, and the very act of belief—whether in God or in the dark forces lurking beneath the surface—shapes the fate of the world.