
Possessed 1997
Vladimir Sukhorebry's *Possessed (1997)* weaves a poignant drama around the life of Yitzhak Gutman, a jazz musician who once sought creative liberation abroad only to return to a changing Russia.
Director: Vladimir Sukhorebry
Cast






Frequently Asked Questions
What is Possessed (1997) about?
The film follows jazz musician Yitzhak Gutman as he returns to Russia after years abroad, determined to support struggling local artists. He stumbles upon Amir Dzhunusov, a gifted composer performing on rooftops, and together they launch a risky venture that spirals into tragic consequences.
Who directed Possessed?
Vladimir Sukhorebry directed *Possessed*, bringing a deeply atmospheric and introspective style to this 1990s Russian drama.
Who stars in Possessed?
The cast includes Inara Slucka, Yuriy Shlykov, Valery Svetlov, Andrey Solovyev, and Valeriy Barinov, alongside Anton Homyatov, who bring emotional depth to their roles.
Is Possessed (1997) worth watching?
As a drama rooted in post-Soviet cultural struggles, *Possessed* offers a compelling narrative for fans of character-driven films. With its evocative jazz score and themes of artistic redemption, it's a hidden gem for those who appreciate introspective cinema, even without an IMDb rating.
How long is Possessed?
The runtime of *Possessed* is 105 minutes.
About Possessed (1997) — A Jazz Drama of Dreams and Downfall
Vladimir Sukhorebry's *Possessed (1997)* weaves a poignant drama around the life of Yitzhak Gutman, a jazz musician who once sought creative liberation abroad only to return to a changing Russia. Upon his homeland, he discovers Amir Dzhunusov, a gifted composer relegated to playing flute improvisations on rooftops. Determined to revive lost talent, Gutman teams up with local friends for a bold publicity stunt that spirals into unexpected tragedy. Set against the backdrop of post-Soviet transformation, the film explores themes of artistic pursuit, sacrifice, and the cost of ambition.
With a raw, introspective tone, *Possessed* captures the tension between dreams and reality, framed by the melancholic jazz rhythms that underscore its narrative. The story unfolds like a haunting improvisation—lyrical yet unpredictable—where every note and decision carries weight. Sukhorebry's direction blends emotional depth with subtle realism, anchoring the drama in the realities of its era and characters.