Looking for listening Poster

Looking for listening 1977

27 min📅 1977-01-01

In *Looking for listening (1977)*, visionary artist Michele Sambin crafts a mesmerizing interplay between sight and sound that feels like a live experiment in real-time creativity.

Director: Michele Sambin

Frequently Asked Questions

What is Looking for listening (1977) about?

*Looking for listening* is an experimental short that explores the fusion of visuals and sound in real time. Each recorded image becomes the soundtrack for the next, creating a layered, evolving composition performed live. The film invites viewers into a meditative yet dynamic space where art emerges from the interplay of perception and creation.

Who directed Looking for listening?

Michele Sambin directed *Looking for listening*. Known for his innovative work at the intersection of video and sound, Sambin crafts a singular experience that blurs the line between performer and medium.

Who stars in Looking for listening?

The cast details for *Looking for listening* are not publicly listed.

Is Looking for listening (1977) worth watching?

As a 27-minute experimental piece, *Looking for listening* offers a unique sensory experience best appreciated by fans of avant-garde cinema or sound art. While not widely rated, its experimental nature and real-time orchestration make it a compelling curiosity for niche audiences.

How long is Looking for listening?

*Looking for listening* runs for 27 minutes.

About Looking for listening (1977) — A 27-Minute Experiment in Real-Time Image-Sound Fusion

In *Looking for listening (1977)*, visionary artist Michele Sambin crafts a mesmerizing interplay between sight and sound that feels like a live experiment in real-time creativity. This 27-minute experimental short treats image and audio as twin forces, with each visual layer doubling as the soundtrack for the next. As the film unfolds, Sambin orchestrates a hypnotic dance of light, shadow, and resonance—where the viewer witnesses the birth of a singular, ever-evolving composition. The result is a meditative yet dynamic experience that challenges perceptions of how film and music intersect, all performed live for an audience. The project leans into a minimalist yet rich aesthetic, inviting contemplation of the subtle bonds between what we see and what we hear.

Directed by the innovative Michele Sambin, *Looking for listening (1977)* is a fascinating time capsule of early video art, blending avant-garde technique with raw spontaneity. The film's looping, generative structure feels both timeless and deeply personal, appealing to fans of experimental cinema and sound art alike. By transforming recorded footage into an evolving sonic and visual score, Sambin turns the act of filmmaking into a living dialogue between creator and medium.