La spagnola 2001
La spagnola (2001) is a biting drama from Steve Jacobs that pulls no punches. This Spanish-Australian comedy-drama tells the story of Lola, a fiery Spaniard, who finds herself abandoned by her husband for a younger, cooler model.
Director: Steve Jacobs
Cast
Frequently Asked Questions
What is La spagnola (2001) about?
La spagnola is a drama about a woman named Lola who is abandoned by her husband and must navigate the challenges of her new life in a foreign country.
Who directed La spagnola?
La spagnola was directed by Steve Jacobs.
Who stars in La spagnola?
The film stars Lola Marceli, Alice Ansara, and Lourdes Bartolomé.
Is La spagnola (2001) worth watching?
La spagnola is a gripping and emotional ride that explores the complexities of love, family, and identity, making it a must-watch for fans of drama and comedy.
How long is La spagnola?
La spagnola has a runtime of 87 minutes.
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About La spagnola (2001) — A Biting Drama of Love, Family, and Identity
La spagnola (2001) is a biting drama from Steve Jacobs that pulls no punches. This Spanish-Australian comedy-drama tells the story of Lola, a fiery Spaniard, who finds herself abandoned by her husband for a younger, cooler model. As she struggles to make ends meet in a foreign country, Lola's desperation grows, and she begins to hatch a plan for revenge. With a talented cast, including Lola Marceli and Alice Ansara, La spagnola is a gripping and emotional ride that explores the complexities of love, family, and identity. As Lola navigates the challenges of her new life, she must confront the harsh realities of her situation and find a way to reclaim her dignity. With its sharp wit and nuanced performances, La spagnola is a must-watch for fans of drama and comedy.
From the director of Steve Jacobs, La spagnola is a powerful exploration of the human condition. With its richly drawn characters and thought-provoking themes, this film is sure to leave audiences talking long after the credits roll. As Lola's story unfolds, we are drawn into a world of passion, heartbreak, and redemption, and we are forced to confront our own assumptions about love, family, and identity.