Television Fucks Us 2002
In Lionel Soukaz's 2002 experimental short *Television Fucks Us*, a surreal collision of vintage and modern media unfolds when the filmmaker unearths an unexpected treasure: a collection of pornographic magic lantern slides.
Director: Lionel Soukaz
Frequently Asked Questions
What is Television Fucks Us (2002) about?
The film documents a creative experiment where found pornographic slides from the 1800s are projected onto a television set and recorded, creating a haunting fusion of old and new media. Director Lionel Soukaz explores themes of eroticism, technology, and voyeurism in this ultra-short avant-garde piece.
Who directed Television Fucks Us?
Lionel Soukaz, a French filmmaker known for pushing boundaries in experimental and queer cinema, directed *Television Fucks Us*.
Who stars in Television Fucks Us?
Cast details are not listed in the available record for this short film.
Is Television Fucks Us (2002) worth watching?
As a seven-minute experimental film, *Television Fucks Us* is less about entertainment and more about provocation and concept. Its niche appeal lies in its innovative approach to media critique, making it a curiosity for fans of avant-garde cinema rather than mainstream audiences.
How long is Television Fucks Us?
The film runs for 7 minutes.
About Television Fucks Us (2002) — How a 7-minute short merges magic lanterns, pornography, and TV
In Lionel Soukaz's 2002 experimental short *Television Fucks Us*, a surreal collision of vintage and modern media unfolds when the filmmaker unearths an unexpected treasure: a collection of pornographic magic lantern slides. By placing these antique images in front of a television screen and recording the interplay, Soukaz crafts a provocative commentary on the blurred lines between past and present erotic imagery.
The result is a raw, seven-minute meditation that challenges viewers to reconsider the way media shapes desire—and how technology, even in its most mundane forms, can distort perception. With its unflinching visuals and conceptual daring, *Television Fucks Us (2002)* invites audiences into a disorienting yet fascinating space where nostalgia and subversion collide. Dedicated to Agathe Dreyfus, this short film stands as a cult artifact for those drawn to avant-garde cinema and its ability to disrupt expectations.