75-13 1975
Kim Jomson's experimental short film *75-13* (1975) defies conventional cinema with a radical approach to visual storytelling.
Director: Kim Jomson
Frequently Asked Questions
What is 75-13 (1975) about?
Kim Jomson's *75-13* deconstructs cinema itself, using rapid cuts and dynamic sound to challenge how we perceive film. It's less a story and more an assault on traditional visual storytelling, merging music and imagery into a single, immersive experience.
Who directed 75-13?
The film was directed by Kim Jomson, a filmmaker known for pushing the boundaries of experimental cinema through his innovative fusion of visuals and sound.
Who stars in 75-13?
Cast details for *75-13* (1975) are not listed, reflecting its abstract and non-narrative approach.
Is 75-13 (1975) worth watching?
While niche, *75-13* offers a fascinating glimpse into experimental filmmaking. It's not for everyone, but those intrigued by avant-garde art or the intersection of music and visuals will find it rewarding. Its 40-minute runtime makes it an accessible entry point into Jomson's work.
How long is 75-13?
*75-13* has a runtime of 40 minutes.
About 75-13 (1975) — Kim Jomson's Radical Experiment in Visual Music
Kim Jomson's experimental short film *75-13* (1975) defies conventional cinema with a radical approach to visual storytelling. By dissecting preconceived notions of film language—literally cutting through ready-made footage with precision—Jomson crafts a sensory experience that merges sight and sound. The film's frenetic pacing, driven by urgent, fast-paced music, transforms passive viewing into an active act of *listening*, blurring the lines between auditory and visual art. This avant-garde piece doesn't just challenge spectators; it immerses them in a hypnotic, disorienting dialogue between image and rhythm, where every frame feels like a deliberate incision into the fabric of traditional cinema.
Dive into *75-13* (1975) and discover a work that prioritizes the *music of seeing*—a concept where visuals become notes in a larger composition. Jomson's bold experiment strips away narrative conventions, leaving behind a raw, pulsating study of form and perception. The film's brevity (just 40 minutes) belies its ambition, packing layers of meaning into a compact yet explosive runtime. For lovers of underground cinema and those curious about the boundaries of film as an art form, this is a must-see that redefines how we engage with moving images.