I Hate You (Kill or Die) 1988
Jon Christian Møller's grimy 1988 horror short immerses viewers in a brutal tale of childhood cruelty that spills into lethal vengeance.
Director: Jon Christian Møller
Frequently Asked Questions
What is I Hate You (Kill or Die) (1988) about?
It's the story of a boy relentlessly bullied as a child—eggs, snowballs, and relentless chases become his daily torment. Years later, masked and armed, he returns as a remorseless force of vengeance, hunting down each of his tormentors in a grim spiral of payback.
Who directed I Hate You (Kill or Die)?
The film was directed by Jon Christian Møller, a Norwegian filmmaker known for blending stark realism with intense emotional undertones.
Who stars in I Hate You (Kill or Die)?
The cast includes unknown actors; detailed name listings for this short are not available.
Is I Hate You (Kill or Die) (1988) worth watching?
As a raw, 14-minute horror short, it offers a punchy punch of atmospheric tension and moral ambiguity. While brief, its unsettling premise and bleak outlook make it a cult curiosity for fans of early Norwegian horror looking for something quick and intense.
How long is I Hate You (Kill or Die)?
The film runs 14 minutes in length.
About I Hate You (Kill or Die) (1988) — When Bullying Turns to Bloody Retribution
Jon Christian Møller's grimy 1988 horror short immerses viewers in a brutal tale of childhood cruelty that spills into lethal vengeance. The film follows a quiet boy relentlessly tormented by a pack of neighborhood kids—eggs crack against his back, snowballs sting his ribs, and he's hounded through rain-slicked streets until the only thing left is humiliation. Five years later, he re-emerges wearing a gas mask and armed with a singular, chilling mission: to eradicate his former bullies one by one. Shot in stark tones with an oppressive atmosphere, the 14-minute flick explores themes of repressed rage, the irreversible cost of bullying, and the blurred line between victim and monster.
I Hate You (Kill or Die) delivers a visceral punch packed into a brief runtime, blending raw horror with a tragic undercurrent. The director's unflinching lens strips away any glamour from vigilante justice, leaving audiences questioning whether vengeance ever truly heals—or only deepens the wound. With its stripped-down production and unsettling visuals, the film lingers like a bad memory, proving that some traumas never fade, they just evolve into something darker.