Not For, or Against (Quite the Contrary) 2003
"The wrong path is often the best."
Cédric Klapisch's gripping 2003 crime drama *Not For, or Against (Quite the Contrary)* plunges viewers into the turbulent world of Caty, a resourceful TV camerawoman whose life spirals into chaos after she crosses paths with Jean, a charismatic but dangerous criminal.
Director: Cédric Klapisch
Cast
Frequently Asked Questions
What is Not For, or Against (Quite the Contrary) (2003) about?
The film follows Caty, a skilled TV camerawoman who becomes entangled with a group of petty criminals led by the enigmatic Jean. As Jean's reckless plan for a bank robbery unfolds, Caty is drawn into a dangerous spiral of violence, betrayal, and moral reckoning.
Who directed Not For, or Against (Quite the Contrary)?
The film was directed by Cédric Klapisch, known for his sharp storytelling and ability to blend drama with social commentary.
Who stars in Not For, or Against (Quite the Contrary)?
The film features standout performances from Marie Gillain as Caty, Diane Kruger as a pivotal gang member, and Simon Abkarian as Jean, the enigmatic criminal mastermind.
Is Not For, or Against (Quite the Contrary) (2003) worth watching?
With its tense narrative and strong performances, *Not For, or Against (Quite the Contrary)* offers a gripping exploration of crime and consequence. While not universally acclaimed, its unflinching portrayal of moral dilemmas makes it a watch for fans of gritty dramas.
How long is Not For, or Against (Quite the Contrary)?
The film runs for 111 minutes.
🎥 Trailer
About Not For, or Against (Quite the Contrary) (2003) — A Gritty Crime Drama of Betrayal and Survival
Cédric Klapisch's gripping 2003 crime drama *Not For, or Against (Quite the Contrary)* plunges viewers into the turbulent world of Caty, a resourceful TV camerawoman whose life spirals into chaos after she crosses paths with Jean, a charismatic but dangerous criminal. As Jean's bold plan to rob a bank gathers momentum, Caty is pulled deeper into a vortex of deception, danger, and moral ambiguity, where every alliance feels fragile and every decision carries life-or-death stakes. The film masterfully blends gritty realism with emotional intensity, capturing the intoxicating allure and brutal consequences of life on the wrong side of the law.
The atmosphere is thick with tension, as Klapisch's sharp direction contrasts the polished world of television with the seedy underbelly of crime, exposing the fragility of trust and the cost of ambition. With its raw performances and unflinching exploration of betrayal, *Not For, or Against (Quite the Contrary) (2003)* is a compelling dive into the moral complexities of fate, choice, and survival.