Paradzhanov: Christ score in C major 1994
Step into the intimate world of *Paradzhanov: Christ score in C major (1994)*, a poignant documentary capturing a pivotal moment between two visionary filmmakers. Directed by Yurii Illienko, this remarkable film unfolds in 1989 Tbilisi, where Illienko screens his own *Swan Lake.
Director: Yurii Illienko
Cast
Frequently Asked Questions
What is *Paradzhanov: Christ score in C major (1994)* about?
This documentary captures a spontaneous and profound meeting between directors Sergei Parajanov and Yurii Illienko in 1989 Tbilisi, following Illienko's screening of his film inspired by Parajanov's prison stories. A historic newspaper headline the next day frames their impromptu discussion about art, oppression, and the transformative power of cinema.
Who directed *Paradzhanov: Christ score in C major*?
The film was directed by Yurii Illienko, a close collaborator and admirer of Sergei Parajanov.
Who stars in *Paradzhanov: Christ score in C major*?
The film features Sergei Parajanov and Yurii Illienko in their real-life conversation, with no fictional roles or actors.
Is *Paradzhanov: Christ score in C major (1994)* worth watching?
While lacking a formal rating, this intimate documentary offers a rare glimpse into the lives of two towering figures in world cinema. Its themes of artistic freedom and resilience make it compelling for fans of biographical films and Soviet-era history, though its niche appeal may not suit all audiences.
How long is *Paradzhanov: Christ score in C major*?
Runtime details are not listed.
About Paradzhanov: Christ score in C major (1994) — A Candid Conversation Between Two Filmmaking Icons
Step into the intimate world of *Paradzhanov: Christ score in C major (1994)*, a poignant documentary capturing a pivotal moment between two visionary filmmakers. Directed by Yurii Illienko, this remarkable film unfolds in 1989 Tbilisi, where Illienko screens his own *Swan Lake. The Zone*—a work deeply inspired by Sergei Parajanov's prison-era stories—for the imprisoned master himself. The next day, a bold headline in *Pravda* announces the resignation of the Soviet official who once jailed Parajanov, a twist of fate that sets the stage for an unscripted, deeply human conversation between the two artists. Shot on a humble household camera, the dialogue becomes a meditative exploration of art, freedom, and the resilience of the human spirit amid political repression.
The film breathes with the quiet intensity of two souls whose creative genius transcended their circumstances. Parajanov and Illienko's exchange—raw, reflective, and infused with decades of untold stories—paints a portrait of artistic defiance and companionship. Through Illienko's lens, *Paradzhanov: Christ score in C major* becomes more than a documentary; it's a symphony of voices, where cinema itself becomes a form of resistance and remembrance.