SCIOMÈN - Domenica era un bel giorno per andare in TV 2023
"Do you know Loredana Floris?"
Federico Imola's short film *SCIOMÈN - Domenica era un bel giorno per andare in TV* (2023) blends sharp wit with a touch of absurdity, unfolding during a chance encounter between an eager young actor and a bizarre self-proclaimed showman.
Director: Federico Imola
Cast
Frequently Asked Questions
What is *SCIOMÈN - Domenica era un bel giorno per andare in TV* (2023) about?
The film follows an aspiring actor during a casual lunch break who crosses paths with an eccentric showman obsessed with a legendary TV icon. What begins as a mundane encounter quickly spirals into a surreal exploration of authenticity, ambition, and the performative nature of human connection.
Who directed *SCIOMÈN - Domenica era un bel giorno per andare in TV*?
Federico Imola helmed this short film, bringing a sharp directorial eye to its darkly comedic yet poignant narrative.
Who stars in *SCIOMÈN - Domenica era un bel giorno per andare in TV*?
The film features Stefano Donzelli and Enrico Ottaviano in the lead roles, alongside Iris Berthoud, Alessandra Scarci, and Camilla Bianchini.
Is *SCIOMÈN - Domenica era un bel giorno per andare in TV* (2023) worth watching?
At just 27 minutes, this short film packs a punch with its clever dialogue and offbeat charm, making it a rewarding watch for fans of dry humor and meta-comedy. While it may not be a blockbuster, its bite-sized runtime and sharp themes offer a refreshing take on the absurdity of celebrity culture.
How long is *SCIOMÈN - Domenica era un bel giorno per andare in TV*?
The runtime of *SCIOMÈN - Domenica era un bel giorno per andare in TV* is 27 minutes.
🎥 Trailer
About SCIOMÈN - Domenica era un bel giorno per andare in TV (2023) — A quirky short film blending comedy and drama under 30 minutes
Federico Imola's short film *SCIOMÈN - Domenica era un bel giorno per andare in TV* (2023) blends sharp wit with a touch of absurdity, unfolding during a chance encounter between an eager young actor and a bizarre self-proclaimed showman. The latter's obsession with Loredana Floris—a mythic TV diva from a bygone era—casts a surreal shadow over their impromptu lunch break, blurring the lines between genuine connection and calculated performance. As the dialogue crackles with dry humor and undercurrents of desperation, the film explores themes of ambition, identity, and the fleeting nature of fame, all wrapped in a compact 27-minute runtime. The atmosphere oscillates between cynical comedy and melancholic introspection, leaving viewers to question whether the characters' interactions are genuine or merely another act in a long line of performances.
Starring Stefano Donzelli and Enrico Ottaviano, the cast delivers a finely tuned balance of comedic timing and emotional nuance, grounding the film's more outlandish elements in relatable humanity. With its clever scripting and understated direction, *SCIOMÈN* offers a biting yet affectionate satire of showbiz culture, wrapped in a bite-sized yet memorable cinematic experience.