
Child No. 182 2024
Child No. 182 (2024) is a poignant documentary directed by Camilla Roos, weaving a deeply personal story of growing up in 1960s and 70s Finland.
Director: Camilla Roos
Frequently Asked Questions
What is Child No. 182 (2024) about?
Child No. 182 (2024) is a documentary that explores Finland's child protection system in the 1960s and 70s through the lens of director Camilla Roos's own childhood. The film follows her journey from orphanages to foster homes, using official reports and 8mm footage to uncover the emotional and bureaucratic realities of the era.
Who directed Child No. 182?
Child No. 182 was directed by Camilla Roos, who crafts a deeply personal narrative from her experiences growing up in Finland's child welfare system.
Who stars in Child No. 182?
Director Camilla Roos is the central figure of the documentary, as the film draws from her personal history and archival footage of her childhood.
Is Child No. 182 (2024) worth watching?
As an unrated documentary, Child No. 182 offers a unique, intimate perspective on a lesser-explored chapter of Finnish history. Its raw visuals and emotional depth make it compelling for fans of personal documentaries, even without a rating.
How long is Child No. 182?
Child No. 182 runs for 53 minutes, offering a concise yet impactful exploration of its themes.
About Child No. 182 (2024) — Camilla Roos' candid memoir of Finland's child protection system
Child No. 182 (2024) is a poignant documentary directed by Camilla Roos, weaving a deeply personal story of growing up in 1960s and 70s Finland. The film revisits Roos's own childhood as she was shuffled between orphanages, summer camps, and foster homes—each placement documented in official reports that now serve as the backbone of this haunting narrative. Shot primarily on grainy 8mm film, the movie captures a bygone era of child protection practices through a lens that feels both nostalgic and unsettling. The black-and-white footage immerses viewers in a world where bureaucracy and compassion often clashed, leaving indelible marks on young lives like Roos's. It's a reflection on institutional care, memory, and the resilience of those who navigated it.
Through archival materials and cinematic reconstruction, Child No. 182 (2024) transforms a personal history into a universal meditation on displacement and the fragility of childhood. Roos's lens doesn't flinch from the emotional weight of her subject, whether in the sterile corridors of orphanages or the fleeting joys of summer colonies. The film's raw, intimate tone invites comparisons to classic coming-of-age documentaries, yet it stands apart for its unflinching look at a system that shaped—and sometimes failed—countless children.