Rebecca H. (Return to the Dogs) 2010
Rebecca H. (Return to the Dogs) (2010) is a clever, meta-cinematic drama that blurs the line between fiction and reality.
Director: Lodge Kerrigan
Cast





Frequently Asked Questions
What is Rebecca H. (Return to the Dogs) (2010) about?
The movie follows a filmmaker's fictional attempt to create a biopic about Grace Slick, but the boundaries between the story and his own life begin to dissolve. It's a layered exploration of artistic ambition and the cost of creative honesty.
Who directed Rebecca H. (Return to the Dogs)?
Lodge Kerrigan directed the film, bringing his signature style of blending realism with psychological depth to this self-referential project.
Who stars in Rebecca H. (Return to the Dogs)?
The film features Géraldine Pailhas, Pascal Greggory, and Magali Woch in key roles, supported by director Lodge Kerrigan and other talented actors.
Is Rebecca H. (Return to the Dogs) (2010) worth watching?
While it's a niche drama, its meta-narrative and Kerrigan's direction make it intriguing for cinema enthusiasts. Its short runtime and experimental approach may not appeal to all, but it offers a unique viewing experience.
How long is Rebecca H. (Return to the Dogs)?
The film runs for 75 minutes.
About Rebecca H. (Return to the Dogs) (2010) — Meta Drama Exploring Artistic Obsession
Rebecca H. (Return to the Dogs) (2010) is a clever, meta-cinematic drama that blurs the line between fiction and reality. Director Lodge Kerrigan crafts a film-within-a-film as a fictionalized biopic of Grace Slick, the iconic Jefferson Airplane vocalist, while weaving in his own creative struggles and cinematic obsessions. The 75-minute drama unfolds with a raw, introspective atmosphere, blending noirish visuals with a documentary-like immediacy. Géraldine Pailhas leads the cast as the central figure, navigating a world where ambition, identity, and artistic integrity collide, leaving viewers questioning what's staged and what's real.
The film's tone is intimate yet unsettling, mirroring the tension between personal mythology and public persona. Kerrigan's direction leans into ambiguity, using minimal dialogue and stark settings to emphasize emotional isolation. With performances grounded in naturalism, Rebecca H. (Return to the Dogs) invites audiences into a behind-the-scenes look at filmmaking itself—where creative dreams often meet harsh realities.