Don't Get Me Started 1994
In *Don't Get Me Started (1994)*, Arthur Ellis crafts a taut suburban thriller that follows Jack Lane, a man who has evaded justice and built a quiet life in the suburbs—until a habit and a haunting paranoia threaten to unravel everything.
Director: Arthur Ellis
Frequently Asked Questions
What is *Don't Get Me Started (1994)* about?
The film follows Jack Lane, a former murderer living under an assumed identity, whose obsession with smoking and growing paranoia lead him to confront a journalist uncovering his crimes. As the journalist closes in, Lane's fragile new life collapses under the weight of his past.
Who directed *Don't Get Me Started*?
The film was directed by Arthur Ellis, a filmmaker known for his work in psychological thrillers that explore themes of guilt and identity.
Who stars in *Don't Get Me Started*?
The cast details are not provided, but the film focuses heavily on the character of Jack Lane, portrayed with intense psychological depth.
Is *Don't Get Me Started (1994)* worth watching?
For fans of gritty, character-driven thrillers, *Don't Get Me Started* offers a compelling exploration of guilt and paranoia. Its tight runtime and atmospheric tension make it a hidden gem worth checking out for thriller enthusiasts.
How long is *Don't Get Me Started*?
The film runs for 76 minutes.
About Don't Get Me Started (1994) — A Suburban Thriller Unraveling a Killer's Secret
In *Don't Get Me Started (1994)*, Arthur Ellis crafts a taut suburban thriller that follows Jack Lane, a man who has evaded justice and built a quiet life in the suburbs—until a habit and a haunting paranoia threaten to unravel everything. The film dives into the duality of Lane's existence: the ordered routine of his new identity clashes with the gnawing dread of a stranger who seems to know his darkest secrets. As Lane grapples with his compulsive smoking and a creeping sense of dread, the tension escalates when he realizes the stranger is none other than an investigative journalist hot on his trail.
The cat-and-mouse chase that ensues pits Lane's carefully constructed facade against the unraveling truth, creating a psychological thriller where the real enemy isn't just the journalist but Lane's own past. Ellis masterfully blends atmosphere and suspense, painting a picture of a man on the brink, where every shadowed glance and whispered conversation could be his undoing. The film's gritty realism and moral ambiguity make it a standout in the genre, leaving audiences questioning how far someone will go to bury their sins.