Give Till It Hurts 1937
In *Give Till It Hurts* (1937), a short crime drama directed by Felix E. Feist, two smooth-talking con artists weave a web of deceit by posing as generous philanthropists.
Director: Felix E. Feist
Cast
Frequently Asked Questions
What is *Give Till It Hurts* (1937) about?
*Give Till It Hurts* (1937) follows two deceitful con artists who exploit a local clinic's fundraising efforts by posing as philanthropists. Their plan to siphon off donations backfires when their fraudulent scheme begins to unravel, exposing the human cost of their greed.
Who directed *Give Till It Hurts*?
Felix E. Feist directed *Give Till It Hurts* (1937), bringing a sharp hand to this crime drama's tense narrative and moral themes.
Who stars in *Give Till It Hurts*?
The film features Janet Beecher, Clay Clement, and Howard Hickman in key roles, each adding depth to the story's exploration of deception and consequence.
Is *Give Till It Hurts* (1937) worth watching?
Though short, *Give Till It Hurts* (1937) packs a punch with its tight storytelling and social commentary. Fans of classic crime dramas or vintage series like *Crime Does Not Pay* will likely find it compelling, especially for its moral intrigue and historical context.
How long is *Give Till It Hurts*?
The runtime for *Give Till It Hurts* (1937) is approximately 21 minutes.
About Give Till It Hurts (1937) — A Crime Drama Exposing Charity Fraud
In *Give Till It Hurts* (1937), a short crime drama directed by Felix E. Feist, two smooth-talking con artists weave a web of deceit by posing as generous philanthropists. Their scheme targets a struggling local clinic, where they fraudulently collect donations under the guise of charity, only to pocket the money for themselves. As the community rallies behind the false benefactors, the true nature of their scam begins to unravel, exposing the dark underbelly of so-called altruism.
This 21-minute film, part of the *Crime Does Not Pay* series, delivers a sharp critique of fraud disguised as goodwill. With a tense atmosphere and a moral reckoning at its core, *Give Till It Hurts* (1937) blends suspense with social commentary, offering a glimpse into the cynical world of charity fraud. Janet Beecher, Clay Clement, and Howard Hickman bring gravitas to their roles, grounding the story in a believable, if unsettling, reality.