The Sandal Keeper 1964
In this classic Japanese comedy, *The Sandal Keeper (1964)*, directed by Kengo Furusawa, the legendary Hitoshi Ueki stars as Toyotomi Hideyoshi, a humble man starting as Nobunaga's sandal bearer before rising through the ranks with wit and ambition.
Director: Kengo Furusawa
Cast
Hitoshi Ueki
Hajime Hana
Kei Tani
Mie Hama
Yōko Fujiyama
Mitsuko Kusabue
Ichirō Arishima
Yū Fujiki
Yukio Aoshima
Susumu Fujita
Frequently Asked Questions
What is The Sandal Keeper (1964) about?
This period comedy follows Toyotomi Hideyoshi, a lowly sandal keeper who parlays his wit and audacity into becoming a powerful general under Nobunaga. Through a series of comedic misadventures, he outmaneuvers rivals and climbs the social ladder with relentless charm.
Who directed The Sandal Keeper?
Kengo Furusawa helmed this 1964 historical comedy, bringing a playful touch to its feudal Japan setting.
Who stars in The Sandal Keeper?
The film features Hitoshi Ueki as the lead, alongside Hajime Hana, Mie Hama, Kei Tani, and Mitsuko Kusabue in pivotal roles.
Is The Sandal Keeper (1964) worth watching?
Fans of lighthearted historical comedies will enjoy this offbeat take on ambition and power. While it lacks modern polish, its charm and Ueki's performance make it a quirky watch for genre enthusiasts.
How long is The Sandal Keeper?
Runtime details are not listed.
About The Sandal Keeper (1964) — A Humorous Journey of Ambition in Feudal Japan
In this classic Japanese comedy, *The Sandal Keeper (1964)*, directed by Kengo Furusawa, the legendary Hitoshi Ueki stars as Toyotomi Hideyoshi, a humble man starting as Nobunaga's sandal bearer before rising through the ranks with wit and ambition.
The film blends historical satire with lighthearted mischief, as Hideyoshi navigates court intrigue and military strategy with a grin. Backed by a stellar ensemble including Hajime Hana and Mie Hama, the movie captures the chaotic energy of feudal Japan through sharp dialogue and exaggerated performances. A charming snapshot of 1960s Japanese cinema, it's as much about social mobility as it is about laughter.
