Wide Boy 1952
"Her lust for men stopped at nothing...even MURDER!"
In the gritty underbelly of post-war London, *Wide Boy (1952)* follows a small-time crook whose life spirals into chaos after a simple pickpocketing stunt.
Director: Ken Hughes
Cast
Frequently Asked Questions
What is Wide Boy (1952) about?
A small-time London criminal gets in over his head after picking a pocket, only to find himself entangled in blackmail and a fatal scheme. His descent into London's criminal underworld exposes the deadly consequences of greed and desperation.
Who directed Wide Boy?
Ken Hughes brought his sharp eye for crime dramas and social realism to *Wide Boy*, delivering a tense and atmospheric thriller that showcases his talent for gritty storytelling.
Who stars in Wide Boy?
Leading the cast are Sydney Tafler as the titular wide boy, alongside Susan Shaw, Ronald Howard, Melissa Stribling, and Colin Tapley in key roles.
Is Wide Boy (1952) worth watching?
While IMDb hasn't rated it, *Wide Boy* is a compelling snapshot of 1950s British crime cinema, packed with tight plotting and strong performances. Fans of classic noir or Hughes' work will find its moral dilemmas and suspenseful pacing rewarding.
How long is Wide Boy?
The film runs for 67 minutes, making it a brisk yet intense viewing experience.
About Wide Boy (1952) — When a London crook's crime spree leads to murder
In the gritty underbelly of post-war London, *Wide Boy (1952)* follows a small-time crook whose life spirals into chaos after a simple pickpocketing stunt. Directed by the talented Ken Hughes, this crime drama plunges into the shadows of moral decay, where blackmail and murder lurk behind every corner. Sydney Tafler delivers a standout performance as the titular antihero, a man whose reckless pursuit of easy money draws him into a deadly web of deceit and violence. With a taut 67-minute runtime, the film crackles with tension, blending the stark realism of its setting with the raw desperation of its characters.
The story unfolds with relentless momentum, exposing the fragility of human greed and the cost of living outside the law. Hughes crafts a world where every character has a price, and trust is a luxury few can afford. Susan Shaw and Ronald Howard shine as the magnetic yet dangerous figures who pull the protagonist deeper into the abyss, while the film's moody cinematography amplifies the sense of inevitable doom. *Wide Boy (1952)* isn't just a crime thriller—it's a sharp critique of ambition and consequence, wrapped in the gritty aesthetic of early 1950s British cinema.