
Dis la Chose comme elle est ! 1994
A hypnotic, experimental short from 1994, *Dis la Chose comme elle est !* emerges from the creative collision of video artists Hervé Huitric and Monique Nahas.
Director: Monique Nahas
Frequently Asked Questions
What is Dis la Chose comme elle est ! (1994) about?
This 4-minute experimental film is a visual experiment crafted by the video lab of Hervé Huitric and Monique Nahas. It explores abstract imagery, glitches, and monochrome sequences to create a dreamlike atmosphere that challenges viewers to interpret meaning through pure visual language.
Who directed Dis la Chose comme elle est !?
The film was directed by Monique Nahas, a noted video artist and educator who collaborated with Hervé Huitric on experimental works that pushed the boundaries of digital and analog video.
Who stars in Dis la Chose comme elle est !?
Cast details are not provided for this experimental short, as its focus lies entirely on visual composition rather than performers.
Is Dis la Chose comme elle est ! (1994) worth watching?
For lovers of avant-garde cinema, *Dis la Chose comme elle est !* offers a quick but impactful dive into experimental filmmaking. While brief, its bold visual style and conceptual depth make it a standout piece for niche audiences interested in the intersection of art and technology.
How long is Dis la Chose comme elle est !?
The film runs for 4 minutes.
About Dis la Chose comme elle est ! (1994) — A hypnotic experimental short from video art pioneers
A hypnotic, experimental short from 1994, *Dis la Chose comme elle est !* emerges from the creative collision of video artists Hervé Huitric and Monique Nahas. Clocking in at just four minutes, this abstract visual poem unfolds like a laboratory experiment, blending raw textures and digital glitches into a mesmerizing tapestry of light and shadow. The film's title translates loosely to 'Say It Like It Is,' but its true power lies in saying it without words—through flickering monochrome frames and rhythmic distortion that evoke feelings of nostalgia, uncertainty, and the fluidity of perception.
Though modest in length, *Dis la Chose comme elle est !* packs a conceptual punch, inviting viewers to question the boundaries between technology and artistry. Without dialogue or narrative, it relies on pure visual language, making it a cult curiosity for fans of avant-garde cinema. The film's experimental roots hint at broader themes of modernity and human-machine interaction, wrapped in an enigmatic allure that lingers long after the credits roll.