All Women Are Named Kiki 1991
Srdan Dragojevic's striking debut short film, *All Women Are Named Kiki* (1991), dives into isolation and longing with dark humor and raw authenticity.
Director: Srđan Dragojević
Cast
Frequently Asked Questions
What is *All Women Are Named Kiki* (1991) about?
The film follows a man drowning in loneliness after his wife leaves, numbing his pain with alcohol and late-night calls to a sex worker named Kiki. Each conversation becomes a fleeting lifeline in his isolated existence, blending comedy and tragedy as he confronts his own delusions.
Who directed *All Women Are Named Kiki*?
The film was directed by Srđan Dragojević, who later gained acclaim for his feature films in Yugoslav cinema.
Who stars in *All Women Are Named Kiki*?
The cast includes Slobodan Ćustić as the protagonist, alongside Uroš Đurić, Eva Ras, and Olivera Ježina in key supporting roles.
Is *All Women Are Named Kiki* (1991) worth watching?
Though unrated on IMDb, this 23-minute short film offers a biting, poignant look at loneliness that's both amusing and unsettling. Its student-film origins add to its raw charm, making it a hidden gem for fans of early Dragojević or Yugoslav New Wave cinema.
How long is *All Women Are Named Kiki*?
The runtime is 23 minutes.
About All Women Are Named Kiki (1991) — A man's desperate calls to Kiki reveal the absurdity of solitude
Srdan Dragojevic's striking debut short film, *All Women Are Named Kiki* (1991), dives into isolation and longing with dark humor and raw authenticity. The story follows a man trapped in his apartment after his wife departs, drowning his sorrow in whiskey and late-night calls to a sex worker named Kiki. Each evening becomes a ritual of fleeting connection, where fantasy and reality blur as he clings to the voice on the other end of the line. With a runtime of just 23 minutes, Dragojevic crafts a poignant slice-of-life drama that doubles as a sharp comedy, teasing the absurdity of modern loneliness. Starring Slobodan Ćustić and Uroš Đurić, the film's unflinching portrayal of emotional desolation resonates through its minimalist setting and understated performances.
Eva Ras and Olivera Ježina add layers of depth to the narrative, grounding the protagonist's descent into farce with moments of unexpected poignancy. The film's themes of abandonment and the fragile nature of human connection are delivered with a biting wit, making it a cult favorite among fans of Yugoslav New Wave cinema. Shot as a student project, *All Women Are Named Kiki* captures the raw energy of independent filmmaking while offering a timeless reflection on the masks we wear to survive heartbreak.