

27 Nights 2025
In *27 Nights (2025)*, Uruguayan director Daniel Hendler delivers a sharp, offbeat comedy that explores the thin line between eccentricity and mental health when a free-spirited woman's daughters push for her institutionalization.
Director: Daniel Hendler
Cast










Frequently Asked Questions
What is *27 Nights* (2025) about?
*27 Nights* follows a vivacious woman whose daughters deem her unbridled lifestyle grounds for psychiatric evaluation. The film dives into themes of autonomy, societal judgment, and whether refusing to play by the rules is a sign of health—or illness.
Who directed *27 Nights*?
*27 Nights* is directed by Daniel Hendler, a Uruguayan filmmaker known for his quirky and insightful storytelling.
Who stars in *27 Nights*?
The film stars Marilú Marini as the spirited protagonist, with Julieta Zylberberg, Carla Peterson, Paula Grinszpan, and director Daniel Hendler rounding out the cast.
Is *27 Nights* (2025) worth watching?
As a comedy with heart and a touch of absurdity, *27 Nights* promises an engaging watch for fans of offbeat cinema. Its blend of humor, social commentary, and strong performances make it a compelling pick for early 2025.
How long is *27 Nights*?
*27 Nights* has a runtime of 108 minutes.
🎥 Trailer
About 27 Nights (2025) — A rebellious woman's joy turns into a psychiatric debate
In *27 Nights (2025)*, Uruguayan director Daniel Hendler delivers a sharp, offbeat comedy that explores the thin line between eccentricity and mental health when a free-spirited woman's daughters push for her institutionalization.
Marilú Marini headlines as the spirited protagonist, a woman whose refusal to conform to societal expectations lands her in the crosshairs of bureaucracy and familial concern. With Hendler at the helm and a talented ensemble including Julieta Zylberberg, Carla Peterson, and Paula Grinszpan, the film blends wit with poignant commentary on individuality, aging, and the absurdities of modern life. Set against a backdrop that balances humor and melancholy, *27 Nights* asks whether joy itself can be mistaken for a condition worth treating.




