Daniel Rok 1916
Daniel Rok (1916) represents a fascinating glimpse into the early days of Russian cinema, offering audiences a crime-drama set against the colorful backdrop of circus life.
Director: Mikhail Bonch-Tomashevsky
Cast
Frequently Asked Questions
What is Daniel Rok (1916) about?
Daniel Rok follows circus-themed crime drama elements, blending the dangerous world of circus performance with criminal intrigue. The film showcases authentic circus performers in dramatic situations that highlight both the spectacle and peril of traveling entertainment in early 20th century Russia.
Who directed Daniel Rok?
Mikhail Bonch-Tomashevsky directed Daniel Rok, bringing his vision to this circus crime drama that reflects the style of Danish, French, and American action films of the period.
Who stars in Daniel Rok?
The film features Vladimir Maksimov, T. Gamsakhurdia, V. Gamsakhurdia, E. Nikitina, and N. Nikitin in key roles, with additional performances from V. Truttsi.
Is Daniel Rok (1916) worth watching?
For silent film enthusiasts and those interested in early Russian cinema, Daniel Rok offers historical value as an example of pre-revolutionary filmmaking. While unrated on IMDb, its authentic circus elements and crime drama themes make it an intriguing curiosity for fans of early cinema.
How long is Daniel Rok?
Daniel Rok has a runtime of 35 minutes.
About Daniel Rok (1916) — Classic Circus Crime Drama
Daniel Rok (1916) represents a fascinating glimpse into the early days of Russian cinema, offering audiences a crime-drama set against the colorful backdrop of circus life. Directed by Mikhail Bonch-Tomashevsky, this 35-minute silent film showcases the talents of Vladimir Maksimov alongside T. Gamsakhurdia and V. Gamsakhurdia, with supporting performances from E. Nikitina, N. Nikitin, and V. Truttsi. The movie stands as the second installment in a pair of circus-themed productions released that year, reflecting the popularity of this sub-genre within the pre-revolutionary Russian film industry.
What makes Daniel Rok particularly noteworthy is its commitment to authenticity, featuring actual circus performers rather than relying solely on theatrical actors. This approach lends the film a genuine atmosphere and kinetic energy that distinguishes it from other pulp fiction attempts of the era. The crime elements blend seamlessly with circus spectacle, creating a unique viewing experience that captures both the danger and artistry of circus performance during this pivotal period in film history.