At Bay 1915
"A Thrilling, Vital Story of Gambling, Graft and Society SENSATIONAL!-ASTOUNDINGLY VIVID!"
At Bay (1915) is a silent-era drama that plunges viewers into the morally treacherous world of 1910s New York, where a crusading district attorney's fight against gambling dens collides with the manipulative schemes of a slick lawyer.
Director: George Fitzmaurice
Cast
Frequently Asked Questions
What is At Bay (1915) about?
At Bay follows District Attorney Graham's crusade against gambling houses, which becomes entangled with the schemes of lawyer Judson Flagg. When Flagg's aide secretly marries Graham's daughter to manipulate him, a web of deceit unravels, leading to blackmail, violence, and a desperate flight. The film explores themes of power, corruption, and the fragility of trust in high society.
Who directed At Bay?
At Bay was directed by George Fitzmaurice, a filmmaker known for his work in the silent and early sound eras, though much of his later career remains overshadowed by this early dramatic gem.
Who stars in At Bay?
The film features Florence Reed as Aline Graham, Frank Sheridan as Joe Hunter, DeWitt Jennings, Charles Waldron, and Lyster Chambers in pivotal roles.
Is At Bay (1915) worth watching?
While silent films lack the spectacle of modern cinema, At Bay offers a gripping snapshot of early 20th-century drama with sharp themes of corruption and moral ambiguity. Fans of period pieces or silent-era storytelling may find its tense narrative and historical context rewarding, despite its age.
How long is At Bay?
At Bay has a runtime of 50 minutes.
About At Bay (1915) — A Silent-Era Drama of Betrayal and High-Stakes Intrigue
At Bay (1915) is a silent-era drama that plunges viewers into the morally treacherous world of 1910s New York, where a crusading district attorney's fight against gambling dens collides with the manipulative schemes of a slick lawyer. Directed by George Fitzmaurice, this early feature unfolds like a high-stakes chess match, with Florence Reed's Aline caught between her father's political battles and the deceptive charm of Frank Sheridan's Joe Hunter. As alliances shift and secrets unravel, the film crafts a tense atmosphere of betrayal and high society intrigue, where a stolen necklace becomes a pawn in a dangerous game of power and exposure.
The story's pulse quickens when Hunter, posing as an ally, ensnares Aline in a sham marriage to politically sabotage her father. When violence erupts during a raid and Hunter's true motives surface, the film escalates into a gripping tale of coercion and flight, revealing how far ambition can push even the most respectable figures. Fitzmaurice's direction amplifies the period's gritty realism, making At Bay a standout example of early 20th-century drama with a biting critique of corruption beneath the surface of high society.