
Cigar 1999
Set in an air-conditioned office somewhere across the globe, *Cigar (1999)* unfolds as an atmospheric micro-drama that lingers on the ritualistic gestures of two men sharing a luxurious smoke.
Director: Annika Larsson
Frequently Asked Questions
What is Cigar (1999) about?
*Cigar* follows two men in a polished office setting as they engage in the intimate ritual of lighting and sharing an expensive cigar. The film strips away dialogue to focus on gesture, atmosphere, and the subtle tension between them, transforming a mundane act into something almost cinematic and suspenseful.
Who directed Cigar?
Annika Larsson directed *Cigar*. Known for her evocative visual storytelling, Larsson crafts a short film that blends minimalism with profound emotional weight.
Who stars in Cigar?
The cast details for *Cigar* are not publicly listed.
Is Cigar (1999) worth watching?
While *Cigar* is a niche short film, it rewards viewers with its atmospheric tension and stylish direction. Its brief runtime and focus on atmosphere make it ideal for fans of experimental or atmospheric cinema, though casual viewers may find it too esoteric for mainstream tastes.
How long is Cigar?
The runtime for *Cigar* is 7 minutes.
About Cigar (1999) — A hypnotic seven-minute short film about ritual and unspoken connection
Set in an air-conditioned office somewhere across the globe, *Cigar (1999)* unfolds as an atmospheric micro-drama that lingers on the ritualistic gestures of two men sharing a luxurious smoke. Directed by Annika Larsson, the seven-minute short film transforms a simple act of leisure into a charged moment of connection and unspoken tension. The director's restrained yet evocative style contrasts the sleek, corporate setting with the sensuality of the act itself—each precise cut of the cigar, each flick of the cutter, building toward an almost hypnotic intimacy. The film's minimalist approach invites viewers to read deeper into the exchange, where a shared moment between strangers becomes a mirror for human desire and vulnerability. With its polished production and deliberate pacing, *Cigar* stands as a quietly powerful exploration of ritual, power, and the unspoken language of touch.
Annika Larsson crafts a visually striking and thematically layered piece that transcends its brief runtime. The cold corporate environment clashes with the warmth of the cigar's smoke, creating a sensory tension that lingers long after the credits roll. The film's ambiguity leaves room for interpretation, whether as a commentary on masculinity, a meditation on fleeting connections, or simply a mesmerizing slice of cinematic atmosphere. *Cigar* is a masterclass in economy, proving that a story doesn't need words—or even a lot of time—to leave a lasting impression.