555-Fake 1989
Jon McKenzie's 1989 cult curiosity *555-Fake* delivers a lightning-fast, tongue-in-cheek parody of the racy 900-number industry that once clogged late-night television.
Director: Jon McKenzie
Cast
Frequently Asked Questions
What is 555-Fake (1989) about?
This lightning-fast comedy spoofs the booming phone-sex industry of the 80s, cramming absurd jargon and over-the-top innuendo into a single minute of screen time. Think of it as a hyperbolic take on late-night hotlines, packed with rapid-fire gags and cheeky visual humor.
Who directed 555-Fake?
The film was directed by Jon McKenzie, a filmmaker known for his work in underground and micro-budget cinema during the 80s and 90s.
Who stars in 555-Fake?
The short features Brinke Stevens, Michelle Bauer, and Melissa Moore as the primary performers.
Is 555-Fake (1989) worth watching?
At just one minute long, *555-Fake* is less about deep storytelling and more about delivering quick, cheeky laughs. Its charm lies in its defiant brevity and the audacity of its concept, making it a fun curiosity for fans of micro-comedy and 80s spoof culture—if you can find it.
How long is 555-Fake?
The film runs for 1 minute.
🎥 Trailer
About 555-Fake (1989) — A One-Minute Comedy Spoof of the 900-Number Craze
Jon McKenzie's 1989 cult curiosity *555-Fake* delivers a lightning-fast, tongue-in-cheek parody of the racy 900-number industry that once clogged late-night television. Clocking in at just one minute, this micro-comedy skewers sleazy phone sex tropes with brash visual gags and snappy innuendo, all wrapped in the neon glow of mid-80s grindhouse aesthetics. Brinke Stevens, Michelle Bauer, and Melissa Moore headline the short, their comedic timing and deadpan delivery amplifying the absurdity of a concept stretched thin by societal satire. Though brief, the film distills the decade's fascination with shock humor into a single, unforgettable burst of mischief.
The movie thrives on the friction between prudish 1980s norms and the era's burgeoning curiosity about adult entertainment, using parody as both shield and weapon. With its stripped-down runtime and focus on crass, rapid-fire jokes, *555-Fake* feels less like a traditional feature and more like a rebellious sketch that refuses to overstay its welcome. Fans of quick-witted, low-budget comedies—and anyone nostalgic for the anything-goes energy of underground cinema—will find this one-minute wonder both hilarious and weirdly prescient.