Und sie, sie liebte Raubtiere – tritt auch in den Garten 1987
Dive into the hypnotic world of Hille Köhne's *Und sie, sie liebte Raubtiere – tritt auch in den Garten (1987)*, a mesmerizing 7-minute experimental short that blends poetic imagery with raw intensity.
Director: Hille Köhne
Frequently Asked Questions
What is *Und sie, sie liebte Raubtiere – tritt auch in den Garten* (1987) about?
This experimental film draws from Mayakovsky's words to weave a surreal portrait of a crocodile's predatory potential hiding in plain sight. Through dreamlike visuals, it contrasts tranquility with primal instinct, creating a mood of simmering unease.
Who directed *Und sie, sie liebte Raubtiere – tritt auch in den Garten*?
Director information for this 1987 short is not available.
Who stars in *Und sie, sie liebte Raubtiere – tritt auch in den Garten*?
Cast details for this experimental short are not listed.
Is *Und sie, sie liebte Raubtiere – tritt auch in den Garten* (1987) worth watching?
As a 7-minute experimental piece, its value depends on your taste for avant-garde cinema. While unrated and niche, its atmospheric storytelling and thematic depth make it a compelling watch for those who appreciate bold, thought-provoking art.
How long is *Und sie, sie liebte Raubtiere – tritt auch in den Garten*?
The film runs for 7 minutes.
About Und sie, sie liebte Raubtiere – tritt auch in den Garten (1987) — A hypnotic experimental short on nature's hidden ferocity
Dive into the hypnotic world of Hille Köhne's *Und sie, sie liebte Raubtiere – tritt auch in den Garten (1987)*, a mesmerizing 7-minute experimental short that blends poetic imagery with raw intensity. Inspired by a striking quote from Vladimir Mayakovsky, the film unfolds like a dreamlike meditation on nature's latent ferocity, where a crocodile lounges in the still waters of a garden pond—its lethargy a mere illusion masking its predatory instincts. Through evocative visuals and subtle sound design, Köhne crafts an atmosphere thick with tension, exploring themes of duality, danger, and the unpredictable forces lurking beneath serene surfaces. This avant-garde gem is less a traditional narrative and more an immersive experience, ideal for fans of arthouse cinema that challenges perception.
With its stark minimalism and haunting symbolism, *Und sie, sie liebte Raubtiere – tritt auch in den Garten (1987)* invites viewers to ponder the thin line between stillness and violence in both nature and human nature. The film's brevity belies its depth, leaving a lasting impression that lingers long after the credits roll. Perfect for those seeking something unconventional yet profoundly atmospheric, this experimental short is a hidden treasure in the landscape of 1980s underground cinema.