Again, Deuce: Red Square, or Golden Ratio 1999
In this sharp eight-minute short from 1999, avant-garde artist Vladislav Mamyshev-Monroe crafts a brisk critique of artistic conformity with *Again, Deuce: Red Square, or Golden Ratio*.
Director: Vladislav Mamyshev-Monroe
Cast
Frequently Asked Questions
What is *Again, Deuce: Red Square, or Golden Ratio* (1999) about?
The film centers on a procrastinating art student who dodges a drawing assignment by submitting a bold red square instead of a classical Venus model. His quick fix sparks an over-the-top punishment from his professor, turning a routine lesson into a darkly comic confrontation between tradition and rebellion.
Who directed *Again, Deuce: Red Square, or Golden Ratio*?
The short was directed by Vladislav Mamyshev-Monroe, a provocative figure in Leningrad's underground art scene known for pushing boundaries in performance and visual storytelling.
Who stars in *Again, Deuce: Red Square, or Golden Ratio*?
The film features Vladislav Mamyshev-Monroe in the lead role, with support from Irena Kuksėnaitė and Timur Novikov.
Is *Again, Deuce: Red Square, or Golden Ratio* (1999) worth watching?
As a tightly crafted 8-minute absurdist comedy, the film rewards viewers in search of bold ideas and sharp social commentary. Its cult status among experimental cinema fans makes it a niche but engaging watch for those drawn to offbeat storytelling and artistic rebellion.
How long is *Again, Deuce: Red Square, or Golden Ratio*?
The film runs for 8 minutes.
About Again, Deuce: Red Square, or Golden Ratio (1999) — The 8-Minute Satire of Art School Defiance
In this sharp eight-minute short from 1999, avant-garde artist Vladislav Mamyshev-Monroe crafts a brisk critique of artistic conformity with *Again, Deuce: Red Square, or Golden Ratio*. The film follows a distracted art student who, scrambling to avoid a delayed critique, replaces the prescribed plaster Venus study with a bold crimson square—only to face immediate, theatrical punishment from his instructor. Set against the gritty backdrop of Leningrad's underground art scene, the comedy delivers biting satire on tradition versus rebellion, wrapped in a visually striking black-and-white punchline.
Directed by Vladislav Mamyshev-Monroe himself, the project blends provocative visuals with deadpan timing, anchored by Irena Kuksėnaitė and Timur Novikov in supporting roles. The narrative leans into the absurdity of academic dogma while flipping expectations of what constitutes 'art,' making it a cult favorite for fans of experimental cinema and absurdist humor. Its minimal runtime belies a maximalist idea: sometimes, simplicity speaks volumes—and the wrong shade can spark a revolution.