Boy, Oh Boy 1936
In *Boy, Oh Boy* (1936), legendary comedian Bert Lahr brings his signature bumbling charm to the role of a butler serving a newly wealthy household.
Director: William Watson
Cast





Frequently Asked Questions
What is Boy, Oh Boy (1936) about?
*Boy, Oh Boy* follows Bert Lahr as a butler whose sweepstakes ticket—meant for a modest life with his sweetheart—ends up in the hands of the family chauffeur. Determined to win it back, Lahr's character navigates a series of comedic mishaps, blending slapstick humor with the era's sharp social commentary.
Who directed Boy, Oh Boy?
William Watson directed this 1936 short comedy, guiding the film's brisk pacing and lively character dynamics.
Who stars in Boy, Oh Boy?
The film stars Bert Lahr as the determined butler, alongside Roy Roberts as the opportunistic chauffeur, Russ Brown, Aileen Cook, and Walter Fenner in supporting roles.
Is Boy, Oh Boy (1936) worth watching?
As a lighthearted 19-minute comedy, *Boy, Oh Boy* offers a fun snapshot of 1930s humor and Bert Lahr's timeless charm. While it's not a blockbuster, its quick pacing and classic comedic beats make it a charming watch for fans of vintage films.
How long is Boy, Oh Boy?
The runtime of *Boy, Oh Boy* is 19 minutes.
About Boy, Oh Boy (1936) — A Classic 19-Minute Comedy Starring Bert Lahr
In *Boy, Oh Boy* (1936), legendary comedian Bert Lahr brings his signature bumbling charm to the role of a butler serving a newly wealthy household. His world turns upside down when his sweetheart—a cheerful kitchen worker—mistakenly gives his winning sweepstakes ticket to the family's smug chauffeur. What follows is a delightful chase of miscommunication and hilarity as Lahr's character scrambles to reclaim his ticket, only to find the chauffeur reluctant to part with his unexpected fortune. Directed by William Watson, this short comedy thrives on the contrast between old-money arrogance and working-class hustle, all wrapped in the snappy pacing of 1930s filmmaking.
The film's lighthearted yet sharp satire of social mobility and luck plays perfectly into its comedic tone, making *Boy, Oh Boy* a standout in classic short comedies. Watson's direction keeps the energy high, while Lahr's physical comedy and expressive antics anchor every scene. Set against the backdrop of the 1930s, the movie captures the era's love for underdog stories and improbable triumphs, all delivered with a wink to the audience.