Love Hate 2009
In *Love Hate (2009)*, a kind-hearted charity worker's orderly life spirals into chaos when he crosses paths with a captivating stranger whose enigmatic presence upends his routines.
Director: Dylan Ritson
Cast
Frequently Asked Questions
What is Love Hate (2009) about?
*Love Hate* follows a compassionate charity worker whose tranquil existence is disrupted by an intense infatuation with a woman whose past—and motives—remain shrouded in mystery. As his world tilts off-balance, the film examines the duality of love as both a joyful and disorienting force.
Who directed Love Hate?
Love Hate was directed by Dylan Ritson, who brings a nuanced touch to this short but impactful comedy-drama.
Who stars in Love Hate?
The film features Ben Whishaw, Hayley Atwell, Hattie Morahan, Blake Ritson, and Anna Carteret in key roles.
Is Love Hate (2009) worth watching?
With its blend of comedy and drama, *Love Hate (2009)* offers a refreshing, character-driven experience in a compact 20-minute runtime. While it lacks an IMDb rating, its thoughtful storytelling and strong performances make it a standout short film worth your time.
How long is Love Hate?
Love Hate has a runtime of 20 minutes.
🎥 Trailer
About Love Hate (2009) — A Whirlwind Romance in 20 Minutes
In *Love Hate (2009)*, a kind-hearted charity worker's orderly life spirals into chaos when he crosses paths with a captivating stranger whose enigmatic presence upends his routines. Directed by Dylan Ritson, this 20-minute comedy-drama unfurls with a mix of lighthearted charm and understated tension, exploring themes of unexpected attraction and the unpredictable nature of love. The film's intimate atmosphere is heightened by Ritson's subtle direction and a standout ensemble cast, including Ben Whishaw as the besotted protagonist and Hayley Atwell as his mysterious muse. With its concise runtime and sharp character dynamics, *Love Hate (2009)* delivers a refreshing take on modern romance, blending humor and heartache in equal measure.
Crafted as a microcosm of emotional upheaval, the story captures the whirlwind of infatuation and the disorienting shift it brings to one's perspective. Ritson's deft touch ensures the short film feels both expansive and grounded, making it a compelling watch for fans of character-driven narratives. The chemistry among the cast—particularly Whishaw and Atwell—elevates the material, transforming a simple premise into a poignant exploration of connection and consequence.