Gone 2025
In Anastasia Sorokina's provocative short drama *Gone (2025)*, a young woman's carefully constructed world of privilege and morality unravels when she discovers unsettling truths about the people closest to her.
Director: Anastasia Sorokina
Cast
Frequently Asked Questions
What is Gone (2025) about?
Anna, a young woman married to a wealthy businessman, initially judges her friend for marrying a corrupt lawyer despite knowing the truth. When Anna uncovers even darker secrets about her own husband, she faces an impossible choice: confront the deception or flee entirely.
Who directed Gone?
Anastasia Sorokina directs this taut psychological drama, bringing a keen eye for subtle character dynamics and moral ambiguity to the screen.
Who stars in Gone?
The film stars Hristina Blokhina as Anna and Artur Pavlenko as her troubled husband, anchoring a story driven by emotional tension and quiet revelation.
Is Gone (2025) worth watching?
Though short, *Gone (2025)* delivers a rich, atmospheric exploration of betrayal and integrity within a privileged world. Its tight runtime and strong performances make it a compelling watch, especially for fans of character-driven dramas with moral depth.
How long is Gone?
The film runs for 16 minutes.
About Gone (2025) — A Short Drama of Betrayal and Moral Collapse
In Anastasia Sorokina's provocative short drama *Gone (2025)*, a young woman's carefully constructed world of privilege and morality unravels when she discovers unsettling truths about the people closest to her. Hristina Blokhina stars as Anna, the wife of a wealthy businessman, who initially judges a friend for marrying a corrupt lawyer while knowing the full extent of his deceit. But when Anna's own marriage is revealed to be built on similar foundations of dishonesty, her sense of security—and self-righteousness—collapses. This 16-minute character study explores themes of betrayal, hypocrisy, and moral reckoning with quiet intensity, unfolding like a tense chamber piece where every whispered conversation carries weight.
The atmosphere is one of creeping dread, as Anna's journey from moral arbiter to disillusioned outsider is portrayed with delicate realism by Blokhina and Artur Pavlenko. Sorokina crafts a narrative that lingers long after the credits roll, challenging viewers to question where loyalty ends and self-preservation begins. Is it better to confront uncomfortable truths—or walk away entirely? *Gone (2025)* dares to ask, without offering easy answers.