Baal 1982
Alan Clarke's gritty 1982 drama *Baal (1982)* plunges into the chaotic life of its eponymous protagonist, a defiantly amoral poet whose existence is a whirlwind of excess, betrayal, and raw creative brilliance.
Director: Alan Clarke
Cast
Frequently Asked Questions
What is Baal (1982) about?
*Baal (1982)* follows the final chapter of its titular antihero, a wild, unrepentant poet whose life is a masterclass in self-destruction. As he navigates a world of betrayal and hedonism, his reckless genius barrels toward an inevitable, dramatic end. The film captures his chaotic descent with raw, poetic intensity.
Who directed Baal?
Baal was directed by Alan Clarke, a British filmmaker known for his bold, socially conscious dramas and collaborations with David Bowie.
Who stars in Baal?
The film features David Bowie in the lead role, alongside Jonathan Kent, Zoë Wanamaker, Juliet Hammond-Hill, and Tracey Childs.
Is Baal (1982) worth watching?
With its concise 64-minute runtime and David Bowie's electrifying performance, *Baal (1982)* is a compelling watch for fans of character-driven dramas. Clarke's direction and the film's themes of self-destruction make it a standout in the TV movie genre, though its dark tone may not suit all viewers.
How long is Baal?
Baal runs for 64 minutes.
🎥 Trailer
About Baal (1982) — David Bowie's Brilliant, Doomed Poet in Alan Clarke's Gritty Drama
Alan Clarke's gritty 1982 drama *Baal (1982)* plunges into the chaotic life of its eponymous protagonist, a defiantly amoral poet whose existence is a whirlwind of excess, betrayal, and raw creative brilliance. Bowie's magnetic performance anchors this TV movie as Baal drifts through a world of his own making, where art and destruction are inseparable. The film crackles with the tension of a man hurtling toward an inevitable reckoning, culminating in a climactic party that becomes the stage for both his demise and his myth. Clarke's direction infuses the narrative with a stark, poetic realism, while the supporting cast—including Zoë Wanamaker and Jonathan Kent—ground Baal's chaotic energy in moments of unsettling humanity.
Set against the backdrop of a society that both adores and abhors him, *Baal* is more than a character study; it's a feverish exploration of genius unmoored by morality. The atmosphere is thick with the scent of alcohol, artistry, and self-loathing, as Baal's defiance of convention collides with the inescapable weight of his choices. Clarke's vision transforms a 64-minute runtime into a punchy, visceral experience, leaving audiences to grapple with the legacy of a man who lived loud—and died with the same intensity.