Ten Poster

Ten 2002

★ 7.3134 votes94 min📅 2002-05-20

Abbas Kiarostami's *Ten (2002)* transforms a simple car into a moving canvas for raw, unfiltered conversation.

Director: Abbas Kiarostami

Cast

Mania Akbari
Mania Akbari
Driver
Amina Maher
Amina Maher
Amin
Kamran Adl
Roya Arabshahi
Prostitute
Mandana Sharbaf
Amene Moradi
Katayoun Taleizadeh

Frequently Asked Questions

What is *Ten* (2002) about?

*Ten* follows a woman navigating the streets of Tehran as she picks up passengers who shape her journey. Each ride becomes a window into personal struggles, societal pressures, and the search for connection in a rapidly changing Iran. The film thrives on its unadorned dialogue, turning a routine commute into a profound meditation on life.

Who directed *Ten*?

*Ten* was directed by Abbas Kiarostami, the celebrated Iranian filmmaker known for his minimalist yet deeply humanistic storytelling.

Who stars in *Ten*?

The film stars Mania Akbari as the central driver, alongside Amina Maher, Kamran Adl, Roya Arabshahi, and Mandana Sharbaf in pivotal passenger roles.

Is *Ten* (2002) worth watching?

While *Ten* (2002) may not be for everyone due to its deliberate pacing, its authenticity and emotional depth make it a rewarding experience for fans of character-driven dramas. The film's exploration of personal and societal themes elevates it beyond a simple road movie, offering a unique perspective on Iranian life.

How long is *Ten*?

*Ten* runs for 94 minutes.

About *Ten* (2002) — A Glimpse Inside Tehran Through One Woman's Car

Abbas Kiarostami's *Ten (2002)* transforms a simple car into a moving canvas for raw, unfiltered conversation. Over ninety-four minutes, the film unfolds as a series of intimate dialogues between a Tehran woman driving through the city and her passengers—a mix of family, strangers, and voices of modern Iranian society. From a chatty, philosophical young boy to a grieving mother, each encounter peels back layers of personal and societal tension, revealing the complexities of life in post-revolutionary Iran. Shot entirely inside a car with minimalist staging, Kiarostami crafts a visually restrained yet emotionally charged drama that feels like eavesdropping on life itself.

Grounded in realism, *Ten (2002)* explores themes of gender, faith, and resilience through the lens of everyday interactions. The director's signature observational style strips away spectacle, focusing instead on the authenticity of each conversation. With its quiet intensity and deliberate pacing, the film invites viewers to reflect on the stories unfolding just beyond their own windshields. Whether you're drawn to Iranian cinema or simply love character-driven storytelling, Kiarostami's masterful use of confined space and natural dialogue makes this a standout in contemporary world cinema.