It's OK to Say No to Drugs 1988
A short but memorable anti-drug PSA from 1988, *It's OK to Say No to Drugs* delivers a straightforward message through the lens of family entertainment.
Director: Laurette Healey
Cast
Frequently Asked Questions
What is It's OK to Say No to Drugs (1988) about?
This 30-minute family film serves as a public service announcement, teaching children how to refuse drugs when pressured by peers. The story unfolds through everyday situations, highlighting the importance of clear communication and confidence. It's a product of its time, aimed at fostering healthy decision-making in young viewers.
Who directed It's OK to Say No to Drugs?
Laurette Healey directed this 1988 anti-drug PSA, handling a project focused on communicating serious themes in an accessible format for families.
Who stars in It's OK to Say No to Drugs?
The main cast features Arte Johnson, Paul Walker, Jodi Peterson, Jimmy Keegan, and Damon Hines, with Gloria Hurkos rounding out the ensemble.
Is It's OK to Say No to Drugs (1988) worth watching?
As a 30-minute public service short, it's not designed for cinematic depth but serves as a historical curiosity. It offers insight into 1980s drug prevention efforts and features a young Paul Walker early in his career. Fans of retro PSAs or Walker's early work might find it worth a look for its nostalgic value.
How long is It's OK to Say No to Drugs?
It's OK to Say No to Drugs runs for 30 minutes.
About It's OK to Say No to Drugs (1988) — A 1980s Anti-Drug PSA Starring a Young Paul Walker
A short but memorable anti-drug PSA from 1988, *It's OK to Say No to Drugs* delivers a straightforward message through the lens of family entertainment. Directed by Laurette Healey, this 30-minute film blends simple storytelling with a serious tone, aimed at helping young audiences navigate peer pressure and unhealthy influences. Starring a young Paul Walker alongside Arte Johnson and Jodi Peterson, the movie weaves its message into lighthearted scenes that resonate with its time. While not a cinematic masterpiece, its earnest approach reflects the era's earnest efforts to address substance abuse through accessible media.
Despite its modest runtime, the film stands out for its early focus on prevention and clear communication. The atmosphere is intentionally wholesome, designed to inspire confidence in saying no to drugs. Though modest in scope, *It's OK to Say No to Drugs* remains a curiosity for film history buffs and Walker fans, offering a snapshot of 1980s public service storytelling.