Lunch Break 1978
This 1978 Soviet-era TV movie comedy from director Baadur Tsuladze blends lighthearted humor with workplace dynamics during a lunch break.
Director: Baadur Tsuladze
Cast
Frequently Asked Questions
What is Lunch Break (1978) about?
The film follows office workers during a lunch break who turn their downtime into a spirited sports competition. To the chief's dismay, the women consistently outperform the men, sparking a series of comical attempts to restore pride and balance.
Who directed Lunch Break?
Baadur Tsuladze directed the film, blending workplace satire with lighthearted Georgian humor.
Who stars in Lunch Break?
The cast features Baadur Tsuladze, Nana Esakia, Darejan Khachidze, Khatuna Khobua, and Nana Ioseliani in key roles.
Is Lunch Break (1978) worth watching?
*Lunch Break* is a charming, if minor, entry in Soviet-era comedy with a runtime that flies by. Its playful take on workplace rivalry and gender norms offers a nostalgic peek into 1970s Georgian culture, though it won't redefine the genre. Best for fans of vintage short films or those curious about Cold War-era humor.
How long is Lunch Break?
Lunch Break runs for 20 minutes.
About Lunch Break (1978) — A Soviet-Era Comedy Where Women Rout Men at Office Sports
This 1978 Soviet-era TV movie comedy from director Baadur Tsuladze blends lighthearted humor with workplace dynamics during a lunch break. The story follows office employees engaging in impromptu sports competitions, where the women effortlessly dominate the events—much to the dismay of the self-assured chief. As frustration mounts, he scrambles to salvage masculine pride, leading to a series of increasingly absurd attempts to level the playing field. The film captures the camaraderie and comedic tension of a midday respite gone sideways, wrapped in the warm nostalgia of 1970s Georgian social satire.
With its brisk 20-minute runtime, *Lunch Break (1978)* thrives on sharp character interactions, led by Tsuladze himself alongside standout performances from Nana Esakia and Darejan Khachidze. The lighthearted genre contrasts corporate hierarchies with playful rebellion, offering a snapshot of Soviet-era life through the lens of workplace rivalry and gender dynamics. Fans of vintage comedies will appreciate its concise storytelling and the way it turns a simple lunch break into a stage for hilarious, underdog-driven chaos.