
Nurses Come and Go, But None for Me 2024
Nurses Come and Go, But None for Me (2024) offers an emotionally raw blend of memoir and performance art, directed by Ed Atkins alongside Steven Zultanski.
Director: Ed Atkins
Cast


Frequently Asked Questions
What is Nurses Come and Go, But None for Me (2024) about?
This poignant film blends personal memoir with staged performance, weaving Ed Atkins' father's diary entries from his final months into a raw, intimate narrative. The story unfolds through dual lenses—a performative reading and a reenacted childhood game—highlighting the intersection of private sorrow and public witness.
Who directed Nurses Come and Go, But None for Me?
Ed Atkins co-directed the film with Steven Zultanski, transforming deeply personal material into a provocative cinematic experience.
Who stars in Nurses Come and Go, But None for Me?
The film features Toby Jones, Saskia Reeves, Bella Aubin, Caroline Elms, Misheck Freeman, and Chengxi Fu—each bringing emotional depth to the layered narrative.
Is Nurses Come and Go, But None for Me (2024) worth watching?
For audiences seeking unconventional, thought-provoking cinema, this documentary-drama offers a moving exploration of grief and legacy. While unrated, its unfiltered honesty and artistic ambition make it a standout for fans of avant-garde storytelling—just be prepared for its uncompromising emotional intensity.
How long is Nurses Come and Go, But None for Me?
The runtime is 120 minutes, balancing intimate performance with observational documentary style.
About Nurses Come and Go, But None for Me (2024) — A Diary's Last Words Made Into Performance Art
Nurses Come and Go, But None for Me (2024) offers an emotionally raw blend of memoir and performance art, directed by Ed Atkins alongside Steven Zultanski. The film transforms private grief into public art by staging a heartfelt reading of Philip Atkins' diary—written in his final six months—and an intimate reenactment of *The Ambulance Game*, a role-playing exercise between the filmmaker and his daughter. Shot with an unflinching gaze, the camera lingers on both performers and the audience, blurring lines between voyeurism and shared vulnerability. Atmospheric yet unvarnished, it captures the tension between intimacy and exposure, where personal sorrow becomes collective catharsis.
A meditation on legacy, mortality, and the fragility of human connection, the film lingers in the space between silence and revelation. Ed Atkins' layered direction, alongside standout performances from Toby Jones and Saskia Reeves, elevates raw emotional material into something hauntingly poetic. With its documentary roots and performative edge, this 120-minute exploration is less a conventional film and more a daring experiment in memory and mourning, ideal for viewers drawn to unconventional storytelling that challenges emotional boundaries.