Everything Is a Number 1967
Stefan Schabenbeck's *Everything Is a Number (1967)* plunges viewers into a striking animated short that explores the tension between humanity and the cold logic of digits.
Director: Stefan Schabenbeck
Frequently Asked Questions
What is Everything Is a Number (1967) about?
This animated short follows a man's struggle against an oppressive world where every action and thought is dictated by numbers. It's a surreal critique of dehumanization in a society ruled by rigid logic and data.
Who directed Everything Is a Number?
The film was directed by Stefan Schabenbeck, a Polish animator known for his experimental work during the 1960s.
Who stars in Everything Is a Number?
Cast details for *Everything Is a Number (1967)* are not publicly listed, as it is an animated short with no credited voice or live-action performers.
Is Everything Is a Number (1967) worth watching?
While it's a niche experimental film, its bold themes and striking visuals make it a rewarding watch for fans of avant-garde cinema. The film's brevity and abstract nature may not appeal to everyone, but its ideas are thought-provoking.
How long is Everything Is a Number?
The runtime of *Everything Is a Number (1967)* is approximately 7 minutes.
About Everything Is a Number (1967) — A Dystopian Animation Short You Won't Forget
Stefan Schabenbeck's *Everything Is a Number (1967)* plunges viewers into a striking animated short that explores the tension between humanity and the cold logic of digits. This seven-minute experimental film frames human existence as a rebellion against an all-encompassing numerical order, where every aspect of life is reduced to calculations. The surreal visuals and minimalist storytelling create an eerie atmosphere, blending dystopian themes with abstract artistry. As a product of 1960s animation, it reflects the era's fascination with technology and existential questioning, offering a haunting meditation on autonomy in a mechanized world.
Though brief, the film's concept lingers, challenging audiences to consider how numbers shape perception and control. Without relying on dialogue, Schabenbeck crafts a narrative that feels both timeless and uniquely mid-century, evoking the work of avant-garde animators of his time. Its unconventional approach makes *Everything Is a Number (1967)* a fascinating entry for those interested in experimental cinema and the intersection of art and mathematics.