P.A. 1986
In P.A. (1986), a sharp-witted production assistant navigates the chaotic streets of Manhattan as he battles the relentless tide of parked cars to keep a low-budget film shoot on schedule.
Director: Gretchen Somerfield
Cast
Frequently Asked Questions
What is P.A. (1986) about?
P.A. (1986) follows a resourceful production assistant as he races against time to prevent cars from parking on a Manhattan street, ensuring a low-budget film can proceed without delays. Set over a single night, the short comedy highlights the chaos and humor of managing a film set in the heart of New York City.
Who directed P.A.?
P.A. (1986) was directed by Gretchen Somerfield, who crafts a fast-paced, energetic comedy from the confines of a single-night shoot.
Who stars in P.A.?
The film stars Adrian Paul in the lead role, delivering a charming and determined performance as the titular production assistant.
Is P.A. (1986) worth watching?
While P.A. (1986) is an unrated short film, its unique premise and Adrian Paul's performance make it an intriguing watch for fans of 80s comedies or indie filmmaking quirks. Its brevity and offbeat humor set it apart as a niche but fun entry in the era's DIY cinema scene.
How long is P.A.?
P.A. (1986) has a runtime of 15 minutes, offering a quick but memorable dive into its comedic premise.
About P.A. (1986) — A Frantic Comedy of Parking Wars on a Manhattan Film Set
In P.A. (1986), a sharp-witted production assistant navigates the chaotic streets of Manhattan as he battles the relentless tide of parked cars to keep a low-budget film shoot on schedule. Directed by Gretchen Somerfield and starring Adrian Paul, this 15-minute comedy delivers a fast-paced, high-energy slice of 80s indie filmmaking, where every misparked vehicle becomes a mini-crisis. The film captures the gritty charm of New York's film scene, blending humor with the sheer absurdity of managing a chaotic set against the clock.
With its offbeat premise and energetic execution, P.A. (1986) offers a playful take on the underdog spirit of film production, where the smallest roles often carry the biggest headaches. Somerfield's direction infuses the short with a lighthearted yet determined tone, making it a quirky time capsule of the era's DIY filmmaking spirit.