Lost, Lost, Lost 1976
Jonas Mekas's *Lost, Lost, Lost* (1976) is a deeply personal documentary diary that stitches together 14 years of unseen footage, from 1949 to 1963, into a poetic mosaic of exile and reinvention.
Director: Jonas Mekas
Cast
Frequently Asked Questions
What is Lost, Lost, Lost (1976) about?
This 178-minute documentary diary by Jonas Mekas traces his journey as a Lithuanian exile navigating New York City between 1949 and 1963. It's a raw, poetic chronicle of rebuilding a life amid the city's burgeoning creative scene, blending personal struggle with the vibrant energy of its underground artists.
Who directed Lost, Lost, Lost?
The film was directed by Jonas Mekas, a pioneering figure in avant-garde cinema whose work often explored themes of displacement and artistic freedom.
Who stars in Lost, Lost, Lost?
The film features Jonas Mekas alongside artists like Peter Beard, Ed Emshwiller, Ken Jacobs, Adolfas Mekas, and the eccentric Tiny Tim.
Is Lost, Lost, Lost (1976) worth watching?
For fans of experimental and autobiographical films, *Lost, Lost, Lost* is a hidden gem. Its unfiltered portrayal of exile and artistic discovery offers a rare glimpse into mid-century New York's underground culture, though its avant-garde style may not appeal to all viewers.
How long is Lost, Lost, Lost?
The runtime of *Lost, Lost, Lost* is 178 minutes, or roughly three hours.
About Lost, Lost, Lost (1976) — Jonas Mekas' documentary diary of exile and artistic awakening
Jonas Mekas's *Lost, Lost, Lost* (1976) is a deeply personal documentary diary that stitches together 14 years of unseen footage, from 1949 to 1963, into a poetic mosaic of exile and reinvention. The film follows Mekas, a Lithuanian immigrant, as he navigates the harsh realities of starting over in New York City—where he trades the ruins of war for the raw energy of a bohemian art scene. Through his lens, the city becomes a canvas for camaraderie, with Tiny Tim's quirky charm and the avant-garde brilliance of Ed Emshwiller and Ken Jacobs lighting the way. It's less a traditional narrative and more a visceral time-capsule of artistic awakening, where every frame hums with the tension between solitude and belonging.
This isn't just a film about displacement; it's a celebration of the underground. As Mekas documents his own fractured identity, he also captures the unfiltered pulse of a creative revolution, from underground filmmakers to the offbeat rhythms of Tiny Tim's ukulele. The result is a hypnotic, three-hour odyssey that feels like flipping through an intimate scrapbook—one where every page is alive with the grit and glitter of a New York still finding its soul. *Lost, Lost, Lost* (1976) is a must-see for fans of raw, unfiltered cinema that turns personal chaos into universal artistry.