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L'air du crime 1984

95 minπŸ“… 1984-06-01

Overview

Madness and anarchism in Alain Klarer's L'Air du crime are too often self-oppressed, having forgotten to live free in their minds. Elena's "terrorism" and Robert's gratuitous quest are all irrational acts perhaps, but ultimately free, a form of rebirth. Yet, some will not be able to bear this madness, chained like Stutz to a coherent structure. Thus, the film moves towards lyricism. First through Peer Raben's music, then through Hugues Ryffel's images. A play on color and light, contrasting a co

Director: Alain Klarer