Kino-Pravda No. 19: A Movie-Camera Race Moscow – Arctic Ocean 1924
Dziga Vertov's *Kino-Pravda No. 19: A Movie-Camera Race Moscow – Arctic Ocean* (1924) is a bold Soviet newsreel that captures the USSR's vision of unity and progress in just 17 minutes.
Director: Dziga Vertov
Frequently Asked Questions
What is *Kino-Pravda No. 19: A Movie-Camera Race Moscow – Arctic Ocean* (1924) about?
This Soviet newsreel documents a high-speed race from Moscow to the Arctic, showcasing the USSR's industrial vitality and social progress. Vertov contrasts urban energy with northern wilderness while emphasizing the emancipation of women in the new Soviet state.
Who directed *Kino-Pravda No. 19: A Movie-Camera Race Moscow – Arctic Ocean*?
The film was directed by Dziga Vertov, a pioneer of documentary filmmaking and experimental cinema whose work reshaped how reality was captured on screen.
Who stars in *Kino-Pravda No. 19: A Movie-Camera Race Moscow – Arctic Ocean*?
Cast information for this 1924 documentary is not officially recorded or preserved.
Is *Kino-Pravda No. 19: A Movie-Camera Race Moscow – Arctic Ocean* (1924) worth watching?
For fans of silent-era cinema and Soviet history, this short documentary is a fascinating artifact. Its innovative camerawork and ideological themes offer a unique glimpse into 1920s USSR, though casual viewers may find it more academic than entertaining.
How long is *Kino-Pravda No. 19: A Movie-Camera Race Moscow – Arctic Ocean*?
The runtime of *Kino-Pravda No. 19* is 17 minutes.
About Kino-Pravda No. 19: A Movie-Camera Race Moscow – Arctic Ocean (1924) — The Soviet newsreel that raced from Moscow to the Arctic
Dziga Vertov's *Kino-Pravda No. 19: A Movie-Camera Race Moscow – Arctic Ocean* (1924) is a bold Soviet newsreel that captures the USSR's vision of unity and progress in just 17 minutes. This experimental documentary stitches together the bustling energy of Moscow with the stark, icy landscapes of the Arctic, blending urban dynamism with frontier endurance. Through rapid cuts and dynamic framing, Vertov highlights the emancipation of women in post-revolutionary society, juxtaposing peasant and worker lives to celebrate Soviet ideals of equality and industrial might. The film's raw visual storytelling feels both urgent and poetic, a testament to the power of cinema as a tool for societal transformation.
Shot during a daring trans-Siberian race, Vertov's camera lens becomes a participant in history, racing alongside trains, workers, and landscapes to document a nation in motion. The documentary's themes of connection—between city and countryside, south and north, tradition and modernity—mirror the USSR's ambitious leap into the future. With its groundbreaking techniques and unflinching focus on real life, *Kino-Pravda No. 19* remains a fascinating relic of early Soviet cinema, offering a glimpse into a pivotal era where art and ideology collided.