The three of us 2013
Director Blerta Basholli's intense 2013 short film *The three of us* drops viewers into Kosovo's tense summer of 1994, where a family's carefree picnic plans explode into chaos the moment the radio announces a brutal new traffic rule: only three passengers allowed per car.
Director: Blerta Basholli
Frequently Asked Questions
What is The three of us (2013) about?
Set in Kosovo, 1994, the film follows a six-person family whose peaceful drive to a picnic abruptly turns terrifying when they learn Serbian police are enforcing a three-passenger limit per vehicle. Their journey becomes a claustrophobic race against time and bureaucracy as tensions rise within the car and the weight of survival overshadows everything else.
Who directed The three of us?
The film was directed by Blerta Basholli, a Kosovo-born filmmaker known for her sharp, socially conscious storytelling.
Who stars in The three of us?
Cast details are not listed for this short film.
Is The three of us (2013) worth watching?
Though short, *The three of us* is a powerful snapshot of historical tension and human instinct under pressure. Its tight runtime and emotional intensity make it compelling for fans of thought-provoking short films, especially those interested in Balkan cinema or stories of resilience during conflict.
How long is The three of us?
The runtime is approximately 24 minutes.
About The three of us (2013) — A short film about panic, family, and wartime rules in Kosovo
Director Blerta Basholli's intense 2013 short film *The three of us* drops viewers into Kosovo's tense summer of 1994, where a family's carefree picnic plans explode into chaos the moment the radio announces a brutal new traffic rule: only three passengers allowed per car. What begins as a simple family outing spirals into a gripping study of fear, fractured relationships, and the raw shock of living under oppressive state control. Shot in just 24 minutes, Basholli crafts an atmosphere thick with dread and emotional tension, using the family's confined space to mirror the suffocating reality of a society under siege.
The film lingers on the microcosm of this family's crisis—silent glances exchanged, voices rising in panic, and the unspoken realization that survival might mean choosing who gets left behind. Here, Basholli transforms a mundane traffic restriction into a metaphor for division, authority, and the painful choices forced upon ordinary people. *The three of us (2013)* may be brief, but it packs a punch, leaving audiences with lingering questions about humanity under pressure.