Fenstersturz 1997

Overview

What happens in the background, at the edge, and in the last frames of a banal, everyday filming? I tried to find out by blowing up Super-8 to 35mm. A crosswalk, pedestrians, cars—everything becomes a grainy stain on a thick blanket of snow. In this film, I used a particular printing method so that the grain moves (forward or in depth) without changing the scale of the image, an approach I would like to pursue.